In 1966, Time religion editor John T. Elson posed the question that gave the magazine its bestselling issue since World War II, and still reverberates through popular debate more than 40 years later:
Is God Dead?
The Canadian journalist, whom former Time managing editor Jim Kelly described to The New York Times as “catholic with a capital C and a small c in his interests,” has himself died. He was 78.
Elson’s story, in the words of Times obituary writer William Grimes, “remains a signpost of the 1960s, testimony to the wrenching social changes transforming the United States.”
Entitled “Toward a Hidden God,” the story – which was the result, Grimes writes, of a yearlong effort involving 30 correspondents and 300 interviews – begins with the question.
Is God dead? It is a question that tantalizes both believers, who perhaps secretly fear that he is, and atheists, who possibly suspect that the answer is no.
Is God dead? The three words represent a summons to reflect on the meaning of existence. No longer is the question the taunting jest of skeptics for whom unbelief is the test of wisdom and for whom Nietzsche is the prophet who gave the right answer a century ago. Even within Christianity, now confidently renewing itself in spirit as well as form, a small band of radical theologians has seriously argued that the churches must accept the fact of God's death, and get along without him. How does the issue differ from the age-old assertion that God does not and never did exist? Nietzsche's thesis was that striving, self-centered man had killed God, and that settled that. The current death-of-God group* believes that God is indeed absolutely dead, but proposes to carry on and write a theology without theos, without God. Less radical Christian thinkers hold that at the very least God in the image of man, God sitting in heaven, is dead, and—in the central task of religion today—they seek to imagine and define a God who can touch men's emotions and engage men's minds.
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