The next time the Ravens win a game at M&T Bank Stadium, they should be so lucky to get the kind of response four 50-something Irish guys got there Wednesday night.

Thousands of fans - the stadium estimated some 80,000 - welcomed U2 for their first regional show in two years like Bono and company had just ended the N.F.L lockout.

Billed as the record-setting spectacular to beat all concert spectaculars, U2’s 360-degree tour employs the latest advancements in live entertainment, including a moving, four-legged stage that looked ripped from "Close Encounters of the Third Kind."

It's been joked that for a band as bombastic as this one, a stage that big was needed to contain all of their egos, mostly Bono's. But the spacious arena, as big as a small club, allowed for maximum showboating, and for the band members to pull off pyrotechnics that would have been difficult at 1st Mariner Arena, where they played the last time they were in Baltimore in 2001.

Over two hours, The Edge got to sing directly above fans, thanks to the moving stage; other band members strolled the circular stage within reaching distance of the spastic crowd; got the stadium to sing along several times - most memorably on "I Will Follow" - and Bono got to show off some favorite Bono-isms, grunting, wearing a glow-in-the-dark jacket, and plugging his favorite political causes.

An ambitious show to say the least, it also featured cameos from, incongruously, Desmond Tutu and Gabrielle Giffords' husband. Now on its second year, the 360-degree tour confirmed why U2 is still among the few headliners that can sell out stadiums.

The setlist stayed close to what the band's been playing at other recent concerts, straying only at a few key moments. Over all they played some 24 songs, with all but a couple of their albums represented, going as far back as "Boy" and up to their most recent outing, "No Line on the Horizon." "Achtung Baby," "The Joshua Tree," and "No Line" had the most numbers in the show. The British band Florence and the Machine opened the show.

Continue reading "Review: U2 at M&T Bank Stadium June 22" »

Posted by Erik Maza at 1:20 AM | Permalink | Comments (67)
Categories: Concert reviews
        

Alright, stop looking. They're not gonna get any better than this. Sade at 1st Mariner, the first show of her new tour's American leg, is the best concert of the year.

Rihanna's was good, but it was amateur hour in comparison. U2's will be bigger, but it will not exceed the sheer transcendence of the Sade live experience.

The woman performs live rarely; her last major tour was a decade ago. And she's not even an occasional performer on the awards show circuit or singing competition shows. Few profiles of her fail to include the word "reclusive." It was likely that many in the crowd had probably not caught even her last tour. 

Some headliners tour every two years, others - U2, Madonna, Springsteen - loom so large in the culture that it's exciting just to see them in concert. But, Sade's concerts have the makings of natural phenomena that happen once a decade. They come so rarely, she feels like pop's Halley's comet.

At that pace, seeing her perform is itself a privilege, an experience unlikely to be repeated, literally, for another ten years. One of the remarkable moments of the concert happened in the half hour past her announced 9 p.m. entrance time, when the anticipation at 1st Mariner was palpable. It was difficult not to be caught up in the collective euphoria of the impatient crowd.

The singer, however, did not coast on the adulation of a crowd that would have swooned even if she'd sung Creed covers. Her two-hour show was a success because, after all the flashy, gimmicky shows pop stars have been staging this past year, this was a palette cleanser.

There was no DJ on stage. No prop cars made any appearances. She did not wear an LCD dress broadcasting a rainbow screensaver. It was remarkable for the stuff it didn't have. The concert's producers relied on smart, visually engaging stagecraft that otherwise enhanced the band and singer's performance, rather than overwhelm it.

Continue reading "Sade kicks off her American tour in spectacular fashion at Baltimore's 1st Mariner" »

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Katy Perry, Robyn and Rye Rye performed at Merriweather Post Pavilion Wednesday night. Reporter John John Williams IV reviews the show.

Katy Perry probably could flirt her way out of a speeding ticket. She knows how to bat her eyelashes, soften her voice just so, and smile her way out of sticky situations.

She’s loveable. How else do you explain the throngs of parents and their young children prancing around at Merriweather Post Pavilion Wednesday night to songs laced with lyrics about drug use and wanting to see male genitalia.

The fans at Perry’s “California Dreams” tour were clearly able to overlook all the innuendos and obvious adult content because she knows how to put on a show.

Her Candy Land stage designs are crafted to match her fun-loving, sweet, and sultry persona. Her set list includes hit after hit. It's hard not to stand up and dance along with the pop princess—even if she’s tripping on hallucinogenic brownies.

Continue reading "Katy Perry with Robyn, Rye Rye at Merriweather Post Pavilion June 16 " »

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When Jake Shears took the stage at Rams Head Live Thursday night, he wore what looked like the bottom half of a spacesuit and an open-chested leotard.

Later, he wore a skin-tight, rubber wet suit that made him look like a skinny, black prophylactic. He aimed to shock, but his outfits were the only risque moments in an hour-and-a-half show that played mainly to their broadest fan base.

For their first Baltimore show, they kept it tame, as clean and politically correct as a "NOH8" campaign. It is safe to say Robyn pulled in more gays back in February.

One likely reason for the tameness of the show is that it's hard to be a gay flamboyant stage performer these days, when your most outrageous shock tactic can be upstaged by a Lady Gaga. Even Freddie Mercury would have blanched at putting a horny unicorn in a music video (Kesha!).

But, also, Scissor Sisters have always had ambitions to appeal to mainstream, arena-sized audiences. Though they bill themselves as a merry band of filthy transgressors, more often than what they're good is making catchy songs - "Take Your Mama Out," "I Don't Feel like Dancin," - that even Vampire Weekend's mom fans can enjoy.

Continue reading "Scissor Sisters at Rams Head Live June 9" »

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Rihanna kicked off Loud, her fourth headlining tour, in Baltimore Saturday night, performing for a mostly sold-out 1st Mariner Arena for nearly two hours.

Flitting from hit to hit, over 20 of them overall, the show was a testament to Rihanna's chart dominance over the past five years, when she's become our most reliable manufacturer of arena pop.

It was also one of the best pop concerts so far this year, a visually interesting, well-designed show that moved through sections with none of the clunkiness that bogged down Lady Gaga's Monster Ball Tour, where costume changes and unwieldy set-pieces took up too much time.

Except for a the ballads that almost marred the fourth act, Rihanna's Loud was a seamless stream of upbeat dance music, and she did it without sacrificing impressive stagecraft or pizzazz.

Conscious that, despite having twice as many hits as Gaga (37 to 15 gold and platinum certifications) she is thought of as the less flashy pop star, she made a few stabs at grabbing headlines. On "Darling Nikki," a Prince cover, she played Kyle MacLachlan to a bevy of showgirls. And in  "Skin," she picked a female audience member off the crowd and gave her a lap dance.

Continue reading "Rihanna at 1st Mariner Arena, first stop of Loud Tour" »

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Paul Simon performed for a sold-out DAR Constitution Hall Wednesday night. Reporter Chris Kaltenbach reviews the show.

The why is simple: there’s nary a style of music, be it reggae, blues, gospel or roots rock, that Simon  hasn’t sampled and made his own over the course of his career.

With his underrated guitar playing and tight eight-piece backing band, Simon played a set and three two encores that include more than 20 more than 25 songs. Even though the cavernous acoustics at Constitution Hall tended to swallow his lyrics (which for many in the audience didn’t really matter, since they knew all the words by heart anyway), Simon and his band rarely flinched.

Continue reading "Review: Paul Simon at DAR Constitution Hall May 25" »

Posted by Erik Maza at 8:41 AM | Permalink | Comments (6)
Categories: Concert reviews
        

With headliners Bruno Mars and Train it could not have risen above the raucousness of a kegger organized by someone’s dad.

Their hour-long sets, which consisted of several popular covers and their own chart-toppers, were sweet, upbeat, and, like a Black-Eyed Susan, acceptable for a hot Spring day, but as instantly forgettable.

If anything, the headliners, along with Hotspur, who kicked off the main stage at around 11 a.m., and second stage headliners Puddle of Mudd, Mr. Greengenes, and Phil Vassar, were legendarily blasé.

It was in keeping with the plans of the organizers, who have said they wanted headliners this year that, while appealing to a 21 to 40 year old demographic, are tame, and family-friendly.

To that end, they could have scarcely had better bookings than today’s. Both Train and Mars have a knack for producing highly commercial, radio-ready, PG-13 pop that can be tolerated by both young and old. They strike the perfect balance that organizers have sought for the Infield since the BYOB campus was banned: “Warm but not over the edge,” as Train lead singer Pat Monahan said earlier this week.

Train played its role to perfection. They rocked the audience alright, into a stupor. Throughout its 80-minute set, the veteran adult contemporary band had a hard time engaging a crowd that was not much larger than what an early-afternoon performer would get at Virgin Mobile FreeFest and that seemed far more interested in its beer mugs.

Continue reading "Music review: Bruno Mars, Train at Preakness Infield 2011" »

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Grace Potter and the Nocturnals performed at Rams Head Live Wednesday, and Dawn Moore-Guinness got a chance to see them with her daughter after winning a pair of tickets through Midnight Sun.

 The night started off with two opening bands. We arrived in time to catch the Futurebirds. It was hard to really listen to them while trying to calm our excited 4-year-old. who was only there for Grace and would not stop asking when she was would play!

Shortly after their set began we were escorted back stage for the meet & greet with Ms. Grace. This was a surprise to my little one. Needless to say, she was beyond starstruck.

Grace was sweet & chatted with Avery, asking her fun questions and sharing stories of when she was a little girl. After a few pictures and goodbyes, we headed back out to the front to watch the main event.

The band's performance was full of energy. Sassy, super short dresses, painfully-hot, shiny heels, bright red lipstick, bow-ties, funky shades, and tigers decked the stage.

Continue reading "Review: Grace Potter and the Nocturnals at Rams Head Live" »

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Reverend Peyton's Big Damn Band, the American blues band interviewed on Midnight Sun last December, performed at the 9:30 Club Saturday night. Contributor Ben Opipari reviews the show.

One thing you need to remember before seeing a show by The Reverend Peyton's Big Damn Band: take care of your basic needs (beer, bathroom) before the band hits the stage.  Once they start playing, you won't be going anywhere.

It's impossible to take your eyes off them. 

The band, which performed at the 9:30 Club Saturday, consists of the Rev (on his pre-1935 guitars), his wife Washboard Breezy (on the washboard) and Aaron “Cuz” Persinger (on drums—and five gallon bucket). 

A Big Damn Band live show is full of life.  In an age when many performers rarely venture a few paces past their microphone if they’re even able to stop shoe-gazing, the Big Damn Band is furious power.

On Saturday, when they opened for The Reverend Horton Heat on the “Two Revs” tour, the band was all pent-up energy, and for good reason: they had been in an accident only a few hours before, outside of Elkton, seriously damaging the van.  And that van had replaced the old van only four days earlier.  The Rev, a charismatic frontman, was not there, he told the crowd, to play any “hipster (expletive).”  

Continue reading "Review: Reverend Peyton's Big Damn Band at the 9:30 Club" »

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Categories: Concert reviews
        

Legendary singer-songwriter James Taylor performed at the Hippodrome Wednesday night. Reporter Nick Madigan sends in this review.

Thousands of performances, decades of applause and countless honors have not dimmed Taylor’s deep-seated love for what he does. When he steps up to a microphone, guitar in hand, before a crowd of upturned faces, he opens his heart and his face softens, beaming.

“Shower the people you love with love, show them the way that you feel,” he sang Wednesday night at Baltimore’s Hippodrome Theatre, perfectly encapsulating the emotional compass of his show.

The crowd in the sold-out auditorium sang along softly, swaying to the gentle tune, united in the notion that “things are going to be much better if you only will.”

Beyond the consistent emotional bond with his audience, the most striking thing about Taylor is how little he has changed his approach to singing and performing over the span of more than four decades since he began.

Continue reading "Review: James Taylor at Hippodrome Theatre May 11" »

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Categories: Concert reviews
        

Talib Kweli will headline the main stage at the Roots Festival on June 25, festival organizers announced.

The festival, which runs June 22 - 26, will also feature performances by Anthony David and Chuck Brown on the 25th, as well as workshops and community meetings at churches, community centers in West Baltimore and the Maryland Institute College of Art.

Roots is meant to draw attention to the area in West Baltimore affected by the unsuccessful "Highway to Nowhere" project.

Announced in January, it will take place over the 52 acres of green space that sits atop the "Highway to Nowhere," according to organizers. A performance schedule has not been announced yet. Admission is free.

Kweli last performed in Baltimore last week, when Sonar's announced shutdown almost forced him to cancel the show before it was moved to Bourbon Street. 

In other news, Kid Cudi will perform at Merriweather Post Pavilion on July 2. It appears to be his first concert near Baltimore, at least according to Sun archives.

Tickets, starting at $35, go on sale Friday. 

My Morning Jacket* also announced today new summer dates. The band will perform with opener Neko Case at Merriweather on August 12. Ticket information is not available yet.

After the break: Soundgarden, Mars Volta, and All Time Low

Continue reading "Concert news: Talib Kweli, Kid Cudi, Soundgarden, My Morning Jacket, Neko Case, All Time Low" »

Posted by Erik Maza at 1:46 PM | Permalink | Comments (4)
Categories: Concert reviews
        

At around 10:30 p.m. last night, my twitter feed could not have been more dissonant. News of Osama Bin Laden's death had begun to leak, and there was a near constant stream of #OBL and #potus1030 hashtags.

There were also tweets from people coming out of the Sweetlife Festival, which had just ended, bragging about Girl Talk and The Strokes, oblivious to the bombshell dripping out of the wires.

Then they were the tweets that managed to mention both, as in "#sweetlife and the death of Osama. Great day." Talk about #whenhashtagsfail.

That Sweetlife ended overshadowed like this, after 10 hours of music by the Strokes, an indefatigable Lupe Fiasco, Girl Talk, U.S. Royalty and others, was inevitable. Since that morning, the odds seemed to be against it. Rain didn't stop all day, even through Lupe Fiasco's 6 p.m. set.

Even before that, it looked nonthreatening, wholesome, a Sam Weir to other festivals' Alan Whites.

Performers were not as multi-generational as at Virgin FreeFest - none of them released albums before the 2000s; the Strokes were the oldest band on the line-up. The crowd wasn't as chaotic as at Ultra; someone charmingly tweeted at one point, "I just raved with Girl Talk." The hardest vice here was $8.50 Bud on draft.

The festival aimed only at being well-intentioned, and succeeded at that. It brought together acts that had no plans to perform in the region in the near future, and it was organized by Sweetgreen.

The yogurt and salad restaurant group promoted sustainability and green living, put up compost trash bins and scattered the festival grounds with vendors of organic pit beef and turkey, so that by end of the night Merriweather was full of "good vibes," as Julian Casablancas wryly put it halfway through the Strokes' headlining set.

Continue reading "Sweetlife Festival with Girl Talk, Lupe Fiasco, The Strokes, and more" »

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Categories: Concert reviews
        

R. Kelly will perform in Baltimore this summer, it was announced today. The show will take place July 1 at 1st Mariner Arena. 

It'll be the first time the R&B singer performs in the city since 2009, when he played the Lyric Opera House. Then, 92Q regular Paula Campbell opened for him.

The concert is in support of "Love Letter," a soul-inspired album Kelly released in December. This time, Keyshia Cole will open for him.

Tickets, which start at $49.50, are on sale now on Ticketmaster. Kelly will also perform at Verizon Center the day after the Baltimore show. Tickets for that show start at $78, and go on sale May 6.

Posted by Erik Maza at 11:35 AM | Permalink | Comments (4)
Categories: Concert reviews
        

Portland seven-piece AgesandAges performed at Golden West Cafe Tuesday in support of debut album "Alright You Restless." Contributor Mike Duffy sends in this review.

One could have lit a campfire at Golden West Tuesday night and it would have seemed appropriate.  Just take a listen to Agesandages' jamboree folk-pop and you'd see why that's understandable.

On tour with Lake to support its recently-released debut album, “Alright You Restless,” AgesandAges put on a feel-good performance to a room of about 40 to 50 spectators – including those located in the back bar. 

Founder Tim Perry heads a seven-piece unit with steady, simple drums, jangly guitar and two percussionists utilizing everything from woodblocks to tambourines to their hands.

But what really made the 45-minute show upbeat was the vocal arrangement, which was both honest and uplifting, and made them sound like a choir. 

Bandmembers contribute on pretty much every track.  According to a label press release, the full group even sang together into one microphone when recording the "Restless," and although AgesandAges brought enough mics to share this time, there was still a rich revival feel to the multitude of voices.

Continue reading "Review: AgesandAges at Golden West Cafe April 27" »

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Categories: Concert reviews
        

Earlier today Sam Sessa reviewed Neil Young's show at the Hippodrome. Now, we have a review from reporter Nick Madigan, who first saw Young in concert in the 70s. Neil Young performs again Thursday night at the Hippodrome. 

Neil Young is determined to prove he can do it alone.

Calmly strolling the stage of Baltimore's Hippodrome as though it were his living room, taking his time to decide what to play next from his vast repertoire and an array of guitars and pianos -- even a pump organ -- Young seemed on Wednesday night to be living his performer's ideal, a musician unencumbered by other musicians, true only to his muse and the vagaries of spontaneous choice.

At 65 years old, and with a five-decade career still going strong, Young long ago earned the right to do whatever he likes. Sometimes, the results are uneven, even startlingly so.

Audiences occasionally find themselves grasping for a thread of his early inspirations, the prodigious talent that produced such seminal anthems as "Heart of Gold," "Needle and the Damage Done" and "Southern Man," songs that he'll deliver if and when he wishes. 

At the Hippo, for the first gig of a two-night stand, some members of the audience were visibly unmoved by Young's persistent toying with a pair of stunningly loud guitars, a Gretsch White Falcon and a black Gibson Les Paul, thudding his way through songs from his latest album, appropriately titled "Le Noise."

For all his renown as a composer of gentle sensibilities, Young's rock-and-roll has the force of a Sherman tank, all guns firing.

Continue reading "Take Two: Neil Young at the Hippodrome Theater April 27" »

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Neil Young kicked-off a two-night residency at the Hippodrome Theater Wednesday night. At this point in his career, he has several generations of fans. For Midnight Sun alum Sam Sessa, who has been listening to him since he can remember, Tuesday's show was a first. Later today, reporter Nick Madigan, who's been listening to Young since the 70s, will review the show from a seasoned fan's perspective.

In his long and storied career, Neil Young has been many things: Folk rock pioneer, artful singer/songwriter, godfather of grunge.

Few musicians have stayed as relevant as long as Young. Even now, when many of his peers have settled into their umpteenth Greatest Hits tour, Young refuses to give people exactly what they want to hear. He'd rather give them what he wants them to hear. That was the case at the Hippodrome Wednesday night, where Young performed solo on acoustic and electric guitar.

Photo Gallery: Neil Young performing in Baltimore

Many audience members were expecting a hit parade or an all-request hour, shouting suggestions at Young, who brushed them off. While he did play a handful of his signature pieces, such as "Ohio," "Helpless" and an excellent "Cortez the Killer," much of Young's set was music from his latest album, "Le Noise" and other newer songs.

Young's dimly lit set, with its wooden Indian and hodgepodge of instruments, recalled a rustic saloon. Spotlights cast four rectangular panels on the dark curtain behind him, giving the impression of a church's stained glass windows at twilight.

When Young emerged, wearing jeans, a black T-shirt, white jacket and light tan fedora, the crowd greeted him with a standing ovation. Wasting no time, he fired right into a trio of hits: "My My, Hey Hey (Out of the Blue)," the poignant "Tell Me Why" and a subtle, elegant version of "Helpless."

Continue reading "Neil Young at the Hippodrome Theater April 27" »

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Stone Temple Pilots performed Tuesday night at Pier Six Pavilion. Frequent Midnight Sun contributor Jeremy Trucker reviews the show, which officially kicked off the regional summer concert season. An earlier version of this review is here.

One of the biggest draws for concert-goers at a Stone Temple Pilots show is seeing in what type of condition front-man Scott Weiland in in when he takes the stage.

From the start of STP's set opener “Crackerman,” it was clear Weiland was ready to play to the crowd of nearly 3,000 who came to see the grunge holdouts open the concert season at Pier Six Pavilion.

The band's 90-minute, 17-song set covered all of the bases, including five songs from their 1992 debut album, "Core." Despite a few longer-than-necessary song breaks, the band, led by Weiland's charisma and trademark deep vocals as well as the Deleo brothers' guitar work, had the crowd at its feet for the duration of the evening.

The hit-laden show was heavy on the band's early catalog, with only a couple of songs from their eponymous 2010 post-reunion album.

Continue reading "Stone Temple Pilots and Scott Weiland kick-off summer concert season at Pier Six Pavilion " »

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Stone Temple Pilots kicked off Pier Six's concert season Tuesday night. Frequent Midnight Sun contributor Jeremy Trucker has this review.

One of the biggest draws for concert-goers at a Stone Temple Pilots show is seeing in what type of condition front-man Scott Weiland in in when he takes the stage.

From the start of STP's set opener “Crackerman,” it was clear Weiland was ready to play to the crowd of nearly 3,000 who came to see the grunge holdouts open the concert season at Pier Six Pavilion.

The band's 90-minute, 17-song set covered all of the bases, including five songs from their 1992 debut album, "Core." Despite a few longer-than-necessary song breaks, the band, led by Weiland's charisma and trademark deep vocals as well as the Deleo brothers' guitar work, had the crowd at its feet for the duration of the evening.

The hit-laden show was heavy on the band's early catalog, with only a couple of songs from their eponymous 2010 post-reunion album.

The band seemed game to play the classics, and the foursome appeared in unison following a two song encore to thank the chanting crowd of supporters, most of whom were there to relive their 90s-era youth.

If Tuesday night's set is any indication, a healthy Stone Temple Pilots have the chops and the fan base to play the amphitheater circuit for years to come, with or without new material.

A longer review will be posted later today. 

Continue reading "Early review: Stone Temple Pilots at Pier Six Pavilion April 26" »

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Rush performed Friday at 1st Mariner Arena. Reporter Kevin Eck, of Ring Posts, was at the show and sent in this review. 

The Rush concert at 1st Mariner Arena Friday night had a lot of the trappings typically associated with an arena rock act that was birthed in the ’70s: There were strobe lights, pyrotechnics and a huge video screen.

But those things were all just window dressing. First and foremost, Rush has always been about the music.

Unlike many of their peers, Rush does not have a flamboyant front-man who encourages fans to scream on cue, and rather than extolling the virtues of sex, drugs and rock 'n' roll in its lyrics, the majority of songs performed by the band intelligently explore the human condition.

Rush – bassist/lead singer Geddy Lee, guitarist Alex Lifeson and drummer extraordinaire/lyricist Neil Peart – proved again  Friday night that three cool-deprived guys from the Toronto suburb of Willowdale just may comprise the coolest band around when it comes to delivering the goods on stage.

Continue reading "Rush at 1st Mariner Arena April 22" »

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A review of Charlie Sheen's show at DAR Constitution Hall appears in today's paper. Here's the longer version, which was shortened for space:

DAR Constitution Hall was nearly sold out Tuesday night for Charlie Sheen’s “Violent Torpedo of Truth” tour. The traveling circus has raised many questions, but the most glaring of all has to be why hundreds of people would pay top-shelf prices – over $100 in some cases - to see the actor in person.

Towards the end of the show, Michael Moore, of all people, volunteered an answer. In a letter that was read out loud to the crowd, the filmmaker said that the public’s fascination with Sheen has to do with the actor’s candor, with his refusal to play a phony and walk the plank of self-punishment on the talk show circuit.

But in typical form, Moore misses the forest for the trees. We’ve had frank, self-destructive celebrities before. VH1’s entire programming depends on them. And yet, we haven’t had the Jeff Conoway Tour of Redemption.

The novelty with Sheen is that he’s the first to take the self-immolating act we’ve already seen on TV on the road, raising the possibility that we’ll see a multi-millionaire unravel before our very eyes.

If that’s what hundreds were expecting at DAR, they were sorely disappointed.

Continue reading "Review: Charlie Sheen did not self-destruct for your pleasure at DAR Constitution Hall" »

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DAR Constitution Hall was almost sold out Tuesday night for Charlie Sheen's "My Violent Torpedo of Truth" tour.

That the over-3,000 seat venue was practically filled to capacity was the least inexplicable part of last night's event, which might have been more accurately called, "A dull evening with Charlie Sheen," as it was neither violent, explosive nor truthful. 

If the audience paid to watch Sheen impassively answer questions on stage and riff for a few minutes on his goddesses, Donald Trump, President Obama, and recycled Internet memes, then they got their money's worth.

But if they were expecting self-immolation, a public meltdown, or Howard Beale in sweatpants and a baseball jersey, then they were sorely disappointed.

In the hour and a half show, Sheen doesn't do much but react and listen. He was neither self-destructive nor embarrassing. He opened with the type of cursory monologue your crazy uncle delivers every Thanksgiving dinner. He said the system is broken and floated around the idea of running for president, boasting that, at least, he was born here, unlike Obama, whose birth certificate was "photoshopped."

Continue reading "Early review: Charlie Sheen in DC at DAR Constitution Hall with "My Violent Torpedo of Truth"" »

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Nick Madigan reviews Elton John's show at 1st Mariner Arena Saturday, John's first in Baltimore in more than a decade. Leon Russell also made an appearance.

A photo gallery of the show is here

When Elton John launched into "Funeral for a Friend" at the start of his concert in Baltimore on Saturday night, it was easy to assume that he was honoring the departed screen star Elizabeth Taylor, with whom John had long shared a friendship and the mission of promulgating the fight against AIDS.

But three songs later, John made his intentions clear, dedicating the concert to the late Guy Babylon, a Baltimore native who had been John's keyboard player for a decade -- they had played more than 1,300 gigs together -- when he died of a heart attack in 2009.

"He was a huge Orioles and Ravens fan," John told the sold-out hall at the 1st Mariner Arena, drawing a thunderous response, and said that although Babylon lived in California, his heart had always remained in Baltimore.

"Guy, wherever you are -- this show is for you," John said, touching the first notes of "Levon," one of his most evocative peans of biography.

For years one of the more flamboyant performers in rock, John, who turned 64 on Friday, has mellowed only his outfits.

Attired in his now trademark coattails, neatly buttoned around his plump frame, he remains as energetic as ever, plowing boisterously through a musical canon spanning four decades, songs like "Madman Across the Water," "Tiny Dancer," "Candle in the Wind,” “Your Song” and "Goodbye Yellow Brick Road" -- all a trigger to rattling memories in a crowd populated largely by the gray-haired.

Continue reading "Review: Elton John at 1st Mariner Arena in Baltimore" »

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Contributor Jay Trucker reviews Lil Wayne and friends, who performed on the third stop of the rapper's "I Am Still Music" tour at 1st Mariner Arena Sunday.

There were hip hop heads, multicolor-haired teen girls, a smattering of middle-aged folks, awkwardly bobbing along, and at least one young girl with “I <3 Lil Wayne” painted on her face.

Yes, the crowd at Lil Wayne's concert at 1st Mariner Arena Sunday was as diverse as the show's line-up.

During the four-hour, sold-out concert, Wayne delivered to all demographics with his trademark spitfire rapping and a rotating series of guests that included not just the announced headliners - Rick Ross, Nicki Minaj and Travis Barker - but also new protege Porcelain Black, Mix Master Mike, Lil Twist, and Wale.

Unannounced opener Porcelain Black took the stage at roughly 7 p.m., playing a short set to a mostly empty arena. Known also as Alaina Beaton, Porcelain is Wayne's newest discovery. She is equal parts Marilyn Manson and Lady Gaga, and finished her set with a single that proudly declares, “This is What Rock n Roll Looks Like." I respectfully disagree. 

Continue reading "Review: Lil Wayne, Nicki Minaj, Rick Ross, Travis Barker at 1st Mariner Arena March 20" »

Posted by Erik Maza at 3:52 PM | Permalink | Comments (5)
Categories: Concert reviews, Music News
        

The legendary Irish band the Pogues performed with New Jersey upstarts Titus Andronicus Monday night at Rams Head Live. Contributor Evan Haga has this review.

Since 2006, the resurrected Pogues have become a fixture of the St. Paddy’s Day season in the States.

Their shows, which almost always hit the same great-sounding club venues, feature the same hit-parade set list (no new material) and the same spirited band fronted by punk-poet Shane MacGowan, whose drunken romantic persona has been endlessly mythologized.

Their current East Coast jaunt, which hit Baltimore Monday night, is reportedly the Pogues’ final U.S. tour. That's a shame. The seven piece band's propellant blend of Celtic roots and pub-rock fire is still worth paying around $60 for.

But for 53-year-old MacGowan, who looks and sounds like a man destroyed—even by the low standards he set himself—that might be for the best. 

Continue reading "Review: The Pogues, Titus Andronicus at Rams Head Live March 7" »

Posted by Erik Maza at 1:50 PM | Permalink | Comments (8)
Categories: Concert reviews
        

The idea that Lady Gaga cribs from the Madonna songbook is a crock.

At Thursday night's show at Verizon Center, she also cribbed from Elton John, Queen, Guns n' Roses, Klaus Nomi, even Tim Burton, all for a show that was upbeat, hysterical at times, and as shamelessly frivolous as the best pop spectacles should be.

The show opened at 9:25 p.m. with a lopsided silhouette performing "Dance in the Dark" from behind a white scrim, much like Madonna opened "Express Yourself" at the 1989 MTV awards.

Was it Gaga back there, or some kind of animatronic?  With Gaga, it's always a combination of both. The figure tried different poses in place, earning ecstatic cheers from the mostly filled-out arena for each new one. 

When the scrim finally went up, Gaga was revealed in a big purple onesie and exaggerated Klaus Nomi-esque (or, if you want, Margiela-esque) power shoulder pads. Also on stage: a small flotilla of dancers in ripped leggings and leather vests, and a beat-up green car, the second automobile to make a stage guest appearance in the last year after Carrie Underwood's flying pickup truck.

Some kind of memo must have circulated at Live Nation last year. Only Underwood's car didn't also double as a piano, like Gaga's did, one she put to use during a mainly subdued "Glitter and Grease."

Continue reading "Review: Lady Gaga at Verizon Center February 24" »

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Categories: Concert reviews
        

Lauryn Hill, the iconoclastic rapper who's considered among the most talented of her generation, performed Thursday night at Rams Head Live, a hastily organized concert that was announced just two weeks ago. Reporter John-John Williams IV was there.

A photo gallery of the show is here. 

You never know what you are going to get with Lauryn Hill. Will the uber-talented Grammy darling show up? Or will it be her alter-ego: an excuse-making diva who was more than two hours late last August to her set at The Rock The Bells Tour at Merriweather Post Pavilion?

The audience got a little of both last night during. Hill took the stage at midnight -an hour after her show was scheduled to begin. She had no opening act -just a DJ who spun a mix of reggae and old school hip hop.

The slew of hits that the DJ spit out was enjoyable the first 10 minutes. But after a good half hour of songs - around midnight on a weeknight - the crowd lost some of its energy and appeared to be growing restless.

Continue reading "Review: Lauryn Hill at Rams Head Live Feb. 10" »

Posted by Erik Maza at 11:07 AM | Permalink | Comments (12)
Categories: Concert reviews
        

From Midnight Sun alum Sam Sessa:

There's a reason they call it the Baltimore Bass Connection.

Wednesday night at U Street Music Hall, the low end was loud enough to flatten the hairs on the back of your neck. (My ears are still ringing.) Indie rappers Spank Rock, deviant punks the Death Set and Baltimore Club DJs Devlin and Darko had the underground club banging for several hours straight.

The Baltimore Bass Connection's Xmas Celebration, which comes to Sonar tonight, has become a yuletide tradition in these parts. Spank Rock's Naeem Juwan (pictured), a Baltimore native and the event's enigmatic ringleader, has turned the Sonar show into one of the year's most anticipated throwdowns. Hundreds of 20-somethings squeezed into the U Street Music Hall for the DC show --  a sneak preview of what's in store for tonight -- organized by Brightest Young Things the BBC.

While the Death Set and Spank Rock both brought the house down, some questionable lineup choices sapped the night's momentum.

Continue reading "Review: Spank Rock, Death Set, Devlin & Darko -- the 2010 Baltimore Bass Connection Xmas Party" »

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Categories: Concert reviews, Local music
        

Sun reporter John-John Williams IV reviews Usher and Trey Songz, who performed Wednesday at 1st Mariner Arena.

* See pictures from the concert

One is on the short list of entertainers who could replace Michael Jackson as the king of pop.

The other has dominated airwaves with sexually charged lyrics boasting of his sexual prowess.

Both, Usher and Trey Songz, used their sexual appeal Wednesday night to wow a largely female audience at 1st Mariner Arena as each performed a slew of chart topping hits.

First up was Songz, who has made a living with sexed-up hits such as “Neighbors Know My Name” and “Invented Sex.” His lyrics were the biggest attraction here, but Songz also teased the audience with various stages of undress. (The adoring fans loved that..) He didn't embellish the performance much, he basically stood on the stage and sang, which was plenty. His voice was phenomenal, especially when he used his falsetto range.

Still, there was no real dancing per say, and Songz seemed incapable of doing anything other than putting on a striptease. The minute Usher took the stage after Songz's near-hour set, it became obvious that he was the more complete entertainer.

Continue reading "Review: Usher, Trey Songz at 1st Mariner Arena December 8" »

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Categories: Concert reviews
        

Contributor Evan Haga reviews Ozzy Osbourne's show Monday night at 1st Mariner Arena.

Playing a video segment before a concert is nothing new. Often nonsensical, these clips set the mood, heighten the anticipation and allow audience members to find their seats without missing anything.

But the short program that opened heavy metal icon Ozzy Osbourne’s 100-minute show last night at 1st Mariner Arena was something else - savvy, explicit and hilarious.

It featured Osbourne verbally sparring with Snooki from "Jersey Shore"; dancing, in drag, alongside Lady Gaga; and working himself into various blockbuster films, "Avatar" and "The Hangover" among them. 

Funny stuff, and it made a point. Osbourne is now pop-culture property beyond rock ’n’ roll. He’s an advertising personality known to millions, not as the Englishman who invented heavy metal, but as the mumbling, bumbling grandfatherly star of reality TV.

So a challenge was set: Can the Prince of Darkness still bring it? The short answer is yes. The best hard-rock frontmen have been Pied Pipers to their head-banging fans, lion tamers at the circus that is the arena metal show.

Those literal and figurative pyrotechnics were present: a shower of sparks at the head of “Mr. Crowley”; a marathon solo from drummer Tommy Clufetos atop an elevated riser; and many startling blasts of fireworks, from the opening “Bark at the Moon” to the final encore, Black Sabbath’s “Paranoid.”

Osbourne tended to pitter-patter around the stage—the same geriatric gait America came to love on MTV's "The Osbournes"—and carried a gut that even his head-to-toe black attire couldn’t downsize. Still, he was absolutely the centerpiece of the madness, and seemed to enjoy it.

Continue reading "Review: Ozzy Osbourne at 1st Mariner Arena, November 29" »

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Categories: Concert reviews
        

Contributor Evan Haga reviews Ozzy Osbourne's show Monday night at 1st Mariner Arena.

Wham City be damned: For three terrifically loud hours last night at a half-full 1st Mariner Arena, Baltimore was a metal town again.

Ozzy Osbourne—Prince of Darkness, reality TV icon, advertising personality—played a 100-minute show that stretched back to his Black Sabbath days, covered ’80s and ’90s solo hits, and tossed in an obligatory new song for good measure.

You guessed it: Osbourne’s voice ain’t what it used to be, but a crack band featuring consistently jaw-dropping guitarist Gus G. pulled up the slack and the results were worth the tinnitus.

This was unapologetic metal, and, consequently, lots of fun: pyrotechnics, marathon drum solos on elevated platforms; “Iron Man;” “Crazy Train;” “Paranoid;” a well-used foam gun, and an opening set from another hard-rock icon, Rob Halford.

A full review to come later today. Set list after the jump. 

Our Ozzy photo gallery is here. 

Continue reading "Early Review: Ozzy Osbourne, Rob Halford at 1st Mariner Arena, November 29" »

Posted by Erik Maza at 9:01 AM | Permalink | Comments (0)
Categories: Concert reviews
        

After she’d steamrolled through “Wasted” and “Quitter” – two songs that nicely showed off a brassy attitude – the stage was bathed in green lights.

Rain sound effects started playing over the speakers, and an enormous fake tree branch descended from the ceiling with a swing set hanging from it, making the arena look like the forest in “Fern Gully.”

She didn’t just deliver her next number, “Just a Dream,”already a schmaltzy love song, wearing a ruffled, Pepto-bismol-pink, floor-length skirt, she did it while swinging from that tree branch.

Usually, such images don’t exist outside straight-to-video Disney movies, but Underwood returned to them again and again Tuesday night, marring what would have otherwise been a solid showcase of her voice. A remarkable singer with five Grammys to her credit and a string of hits after winning “American Idol” in 2005, she has two performance registers: cheesy and defiant, pivoting between rowdy numbers - usually written by the great songwriter Hillary Lindsey - and fluff like “Just a Dream.”

While she hit all her notes, emoted on cue, and sparkled nearly as much as Ryan Seacrest’s highlights during all 21 of her numbers, it was only during those moments of pent-up abandon (“Last Name,” “Quitter”) that she was at her best.

Continue reading "Review: Carrie Underwood at 1st Mariner Arena, November 16" »

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Categories: Concert reviews
        

Carrie Underwood played a two-hour show Tuesday night at 1st Mariner Arena that flitted between frivolous love songs and defiant pop anthems.

On singles like "Temporary Home," where she laid the schmaltz thick, she faltered, drowned out by the over production and the melodrama.

But on others, like "Last Name" she got to show off her strengths: her pipes, and a touch of attitude that fits her big voice.

The Grammy winner played 21 songs in a total, including her duet with Randy Travis, "I Told You So." On "What Can I Say" she was joined on stage by openers Sons of Sylvia.

A full review will come later today, along with photos from the show. Update: Full review is here.

Underwood's set list is below:

Continue reading "Early Review: Carrie Underwood, Sons of Sylvia at 1st Mariner Arena, November 16" »

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Categories: Concert reviews
        

First-time contributor Ben Opipari reviews the Black Angels show at the 9:30 club November 7.

Sunday night shows are often a tough sell. Are they part of the new work week, or a continuation of the weekend? Do I get ready for Monday morning, or chill out?

Bands like the Black Angels make such questions irrelevant.

At the 9:30 Club Sunday night, the Austin five-piece put on a psychedelic haze of a show that made me scoff at anyone who'd think twice about going to see a band they like just because work is a night away.

The band, which is currently on tour with Black Mountain, formed in 2004, but their sound and look is straight from the 60s.

Their name comes from a Velvet Underground song; one of their songs was featured in a History Channel documentary on Charles Manson; and they once toured with the unheralded kings of the genre, Blue Cheer.

You don't have to look much further than the bendy lines on the cover of their new album, "Phosphene Dream," to see the influence of the decade. Even the name of the album sounds retro.

That those references have resonated with fans was evident at the 9:30 club, where there were a good amount of people who probably listened to Jefferson Airplane before the Black Angels co-opted their sonic psychedelic flair.

But the Mamas and the Papas they are not.

At a time when there’s so much lo-fi, breezy indie pop, where hushed notes often reign supreme, the Black Angels were refreshingly loud. As someone who grew up on 80s metal—the good stuff, not the hairy kind— I’ve longed for a band who would once again make conversation at a show impossible.

Continue reading "Review: The Black Angels at the 9:30 Club, November 7" »

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Contributor Christeen Roden reviews the La Roux and Far East Movement shows at Rams Head Live Sunday night. 

La Roux's songs have been so effectively plastered all over the Internet and TV, that Elly Jackson is her own worst enemy when performing live.

We're all so familiar with the tunes -- which have been excellently remixed by Major Lazer, among others -- that we expect her to deliver something new in person.

Unfortunately for the duo, and the duo's fans at Rams Head Live Sunday night, theirs was a short, uninspired and bland performance. Fortunately, Far East Movement was there for some levity.

La Roux's set was perfectly competent and in keeping with the album's sound, but that was precisely the problem. There was no spontaneity or newness to the performance, which is sort of the whole point of paying money to go hear someone play the same songs you can hear for free on your iPod.

Continue reading "Review: La Roux, Far East Movement at Rams Head Live, November 7" »

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Midnight Sun contributor Evan Haga reviews the Baltimore show of 26-year-old British metal band The Cult.

The Cult, the long-running English outfit headed by vocalist Ian Astbury and guitarist Billy Duffy, embodies an ongoing fight between brains and brawn, between pretension and the hard-boiled ethos of heavy metal. In short, between Astbury and Duffy.

Though that dichotomy is responsible for the band’s enduring appeal, it also makes for awkward moments.

When the band played a respectably filled Rams Head Live Tuesday night, they played to both strengths.

They played "Sweet Soul Sister," an excellent, late-’80s rock anthem whose lyrics are essentially a come-on, but did it in front of projections depicting social unrest (Black Panthers, an upside-down American flag). At one point, Astbury even faced the projections and raised his right gloved fist.

He also encouraged fans to steal the band's new music if they have to, but only because it would help him "keep [his] kids out of college." And even more laughably, he dedicated the song "White" to "pagans, wiccans and Buddhists," but also to "drunkards."(Guess which demographic applauded most?) 

Irreverence and self-seriousness can be an uncomfortable mix, but the mash-up, along with strong guitars, has served the Cult well for 26 years.

It was also certainly true of last night’s 17-song set, which allowed a band that has dramatically set and followed trends throughout its career to make a remarkably consistent statement for its continued relevance. 

Continue reading "Review: The Cult at Rams Head Live, Nov. 2; Ian Astbury and Billy Duffy as strong as they were in 1985" »

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Categories: Concert reviews
        

Nikc Miller, Midnight Sun contributor and former Dirty Marmaduke Flute Squad guitarist, reviews the Halloween show at the G Spot.

Friends Records threw its second Halloween bash Friday night at the G Spot, with a show that included a spooky ambiance and bands signed or at least distributed by the ever-growing record label.

This time the headliner was local-band-gone-somewhat-big Celebration.

The G-Spot, a weird little enclave in the mill area of Hampden, is a nostalgic venue for me, especially at this time of year. Many a-folk know the obscure “audio-visual playground” as being home-base for MicroCineFest.

In my mind it seems like blasphemy to have any event here that doesn’t have a distinct visual aesthetic. So it was a delight to see such effort put toward the ambience of Friday’s show, with slide projectors blasting the light of beautiful abstract slides onto every free inch of wall space.

Friends Records ally, Dustin Wong, started the evening early and on a high note. As patrons trickled into the concert space, Wong played what seemed like 15-20 songs using just his guitar, a loop pedal, and at times a simple drum machine.

Continue reading "Review: Celebration, Dustin Wong, Microkingdom and Sri Aurobindo at the G Spot, October 29 " »

Posted by Erik Maza at 7:00 AM | Permalink | Comments (0)
Categories: Concert reviews
        

Exuberant doesn’t begin to describe the visceral experience of being twenty feet away from a two of the most energetic musicians around, Matt Johnson and Kim Schifino.

Even in the cavernous atrium that is Ram's Head Live, Matt & Kim’s energy Saturday night was as infectious as it was goofily charming. Barely a body remained still on the surprisingly packed floor or the balconies, which were overflowing with ardent, if less-expressive fans.

True to Matt Johnson’s earlier promise, they dazzled longtime fans by sticking mostly to their previously released material. And, just like they did at Virgin Mobile FreeFest, they also mixed it up with a few Old Dirty Bastard and Sir-Mix-A-Lot covers.

During a particularly boisterous Major Lazer riff, Kim obliged the more rabid audience members by dusting off that old rock 'n’ roll stand by: the stage dive, and pulled it off without any visible body arm except hand prints.

Continue reading "Review: Matt & Kim at Rams Head Live Saturday, October 23" »

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Kevin Eck reviews the Halloween Hootenanny at MPP featuring the Gruesome Twosome. When he's not listening to heavy metal, he covers professional wrestling for The Sun and writes Ring Posts.

It’s that time of year when the leaves are brown, there’s a chill in the air and jack-o-lanterns abound. In other words, the perfect time for a concert featuring two of rock’s preeminent boogeymen, Rob Zombie and Alice Cooper.

The self-professed “Gruesome Twosome” were the main attractions at Merriweather Post Pavilion Sunday night, when they performed their Halloween Hootenanny tour. The Murder Dolls, Black Label Society, Children of Bodom and Clutch also performed.

In separate performances that each went a little over an hour, the macabre metal gods' over-the-top theatrics captured the spirit of the season, making for a spectacle that had the charm of a midnight monster movie double feature.

Despite their obvious similarities, Zombie and Cooper differ as performers. Zombie offers a true rock concert experience: he addressed the crowd between songs and encouraged audience members to stand up and sing along.

With Cooper, on the other hand, it was like watching a musical where he was both ring master and narrator. He gives you a story line that tied the songs together, complete with characters, costume changes and props.

As far as stage antics go, nobody can outdo Cooper, but from a musical standpoint, Zombie’s set had more teeth (or, in this case, fangs) than the old man's. 

Continue reading "Review: Rob Zombie and Alice Cooper at Merriweather Post Pavilion, October 17 " »

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Categories: Concert reviews
        

Midnight Sun contributor Mike Duffy on We Are Scientists, Rewards and U.S. Royalty at Metro Gallery, October 15.

We Are Scientists know how to play to their fans. The 200 or so that crammed into Metro Gallery Friday night got their $10 bucks worth as the Californians delivered a snappy set from their latest album, "Barbara."

Those who weren't as familiar got a show where the songs were sometimes indistinguishable from one another, but where they also got introductions to two other bands they should start paying more attention to.

Washington's U.S. Royalty kicked off the night with their brand of stomping swamp boogie. They played six new songs from their upcoming album, "Mirrors", including the wispy but melodically-charging “Equestrian.”

Rewards, Aaron Pfenning’s two-person outfit out of Brooklyn, followed with their the ethereal synth-rock, making for a diverse double bill before the scientists came on stage.

The decade-old, four-piece W.A.S. played a 16-song set going back as far as 2005’s "With Love And Squalor." Their sound is a little Franz Ferdinand, a little Klaxons, and a lot of Brit punk pop.

Continue reading "Review: We Are Scientists with Rewards at Metro Gallery, October 15" »

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Categories: Concert reviews
        

The Roots have long been a rebuttal to most of the criticism leveled at rap over the years: that it’s not actually music; that it doesn’t require hard work; that it ignores or rejects the great legacy of African-American art that preceded it; that it’s underwhelming in a live setting; that it helped destroy certain ideals in popular music, like the masterful electric guitar solo.

Within hip-hop, the Roots’ role is one of torch-carrying, perhaps even martyrdom; a critics’ act and a symbol of the heyday in the age of “My Dougie.”

The band’s sold-out set at Rams Head Live had a kind of energy and totality that could have won over pretty much anyone, even -- or especially -- baby boomers whose musical values were shaped by classic rock and funk.

The seven-piece outfit took the stage just after midnight on Saturday and kept its momentum roiling until around quarter till two. The set list, which anyone who’s seen the group this year would’ve recognized, was similarly comprehensive: While it avoided material off “Wake Up!” -- the band’s recent collaboration with John Legend -- it covered highlights and hits stretching back to the mid-’90s.

(Midnight Sun's preview story and interview with Questlove is here.)

Front and center in this powerhouse exhibition was Black Thought, aka Tariq Trotter, whose name should be mentioned more often when we discuss hip-hop’s best MCs. Trotter came out charging, with robust flow on “Web” and “Thought@Work;” even at his lyrical heaviest—he sometimes seemed to be contemplating a sort of existential angst at warp speed—he hardly let up.

Continue reading "Review: The Roots and Questlove at Rams Head Live, October 8" »

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I've never seen a show before that I knew would give me nightmares.

But after Roger Waters' The Wall Live tour at Washington's Verizon Center, with its fears and insecurities, claustrophobia and twisted animation ... I'm supposed to go to sleep on this?

The show was everything I'd expected: A two-and-a-half hour spectacle (intermission included) with gripping special effects and sturdy musicianship. Waters put together a crack band of players -- including former "Saturday Night Live" band leader G.E. Smith -- for this tour.

The show had to follow the album's narrative: A rock star builds a metaphorical wall to protect himself from the world but winds up in close quarters with his worst demons. Live, Waters erected a real wall brick by brick (the wall doubled as the projection screen), and tore it down at the end. The animation, which had clips from the movie as well as pieces by graffiti artist Banksy, was chilling. 

Unlike other classic rock icons such as the Eagles, Waters didn't reproduce the album note for note. He let the tracks breathe, gave Smith some extra solos and stretched out a few songs here and there. 

It's hard to believe Waters is pushing 70. He still hits all the high, maniacal notes like he's half his age. See more Roger Waters photos from the show.

Continue reading "Review: Roger Waters' The Wall Live at Verizon Center in Washington DC" »

Posted by Sam Sessa at 11:51 PM | Permalink | Comments (19)
Categories: Concert reviews
        

Percussion was the star Monday evening at the Born Ruffians show at the Ottobar.

Noisy two-man Baltimore band Weekends set the tone for the night with their relentless drumming. Opening for Montreal's Winter Gloves, Brendan Sullivan and Adam Lempel never let up; they even traded drums and guitar mid-set.

By the time Born Ruffians took the stage, the audience was properly stoked. The Canadians can be misleadingly low-key, but on Monday, they overpowered the venue.

Kicking things off with “Foxes Mate For Life,” from their 2008 debut “Red, Yellow & Blue,” and quickly following up with “Barnacle Goose," their set was louder than anything that's ever come out of Ontario.

Continue reading "Review: Born Ruffians at Ottobar, Oct 4" »

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On Tuesday night at Ram’s Head, The Gaslight Anthem proved that there is still music out there that doesn’t just consist of a dance beat, a repeating 3-chord progression and serious Auto-Tune.

This alternative band (vocalist Fallon, guitarist Alex Rosamilia, bassist Alex Levine and drummer Benny Horowitz) performed for a very packed Ram’s Head  - a crowd that consisted of mostly 20-something rock fans (and a guy in a banana suit) - held the audience captive through the end.

From their initial entrance to the stage -- accompanied by Alien Ant Farm’s Michael Jackson cover “Smooth Criminal” -- to their encore performance, the energy level in the room never wavered.

Continue reading "Review: The Gaslight Anthem at Rams Head Live" »

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Preppy New Yorkers Vampire Weekend played their first concert in Maryland Saturday night at Merriweather Post Pavilion. In a brisk two-hour set where they played crowd favorites like “A-Punk” and covered Bruce Springsteen, the boys were as well-behaved as Lawrence Welk.

After local dream pop duo Beach House finished their opening set, the boys sheepishly took the stage promptly at 9:30 p.m. There was no rock star entrance here. No late arrivals, no chants from the audience screaming the band’s name in anticipation. The lights were just briefly dimmed, and the boys materialized. Where the crowd had politely received Beach House, shrieks exploded then as if Justin Bieber had been beamed in.

High school girls and suburban moms alike swooned as the band kicked off the show with “Holiday.” That's the thing about Vampire Weekend: it's-a-good-on-paper band. The kind of band you'd take home to meet your mother. They're clean dressers - big on Dockers and Adidas Sambas; went to a good school - no review of the band forgets to mention their Ivy League beginnings; and play the kind of friendly jams mom will approve of. On the Merriweather text-message JumboTron, at least one fan proposed to lead singer Ezra Koenig.

It’s easy to see their rise to the top of the charts. Parents hear their contemporaries in the band’s Peter Gabriel-Paul-Simonesque vernacular; there were a lot of moms doing the white-person-overbite shuffle last night. And young listeners hear a Dave Matthews for the aughts. With this kind of whitebread appeal, Vampire Weekend is dangerously close to becoming “that band lots of white people like.”™

[Set list after the jump.]

Continue reading "Review: Vampire Weekend at Merriweather Post Pavilion, Sept. 11" »

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Midnight Sun alumnus Sam Sessa saw Lady Gaga at the Verizon Center last night. Here are his thoughts:

If Brit Brit is still the reigning Pop Princess, Lady Gaga is her rebellious little sister.

At 24, Lady Gaga has sold more than 15 million albums and 51 million singles worldwide and tapped into the mainstream and gay and lesbian communities while scoring several top 10 singles.

All this with only two albums, both released in the past two years.

Last night, Lady Gaga's sold-out Monster Ball tour, a tantalizingly trashy two-hour spectacle of outrageous costumes, sexually charged dances and irresistible dance pop, rolled into Washington's Verizon Center.

The live band was tight, but the costumes were tighter ...

Continue reading "Concert Review: Lady Gaga at Verizon Center" »

Posted by Sam Sessa at 7:25 AM | Permalink | Comments (18)
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Sun writer John-John Williams IV was at Rock the Bells last night. Here's his review:

Rock The Bells had the potential to be epic.

The tour, which came to Merriweather Post Pavilion last night, boasted some of hip-hop's most legendary acts: Lauryn Hill, Wu Tang Clan, Rakim, KRS-One, Snoop Dogg and A Tribe Called Quest.

Instead, the sweltering heat combined with over-the top waits between acts had a fair share of ticket holders ready to rock some of the artists' bells.

Hill, undoubtedly the night's biggest draw, was a lesson in dysfunction. It's been nearly more than a decade since Hill's uber-successful album "The Miseducation of Lauryn Hill," and Hill's recording hiatus fueled an undeniable buzz at last night's show.

So when it was announced -- just before she was about take the stage -- that Hill was in danger of not performing due to illness, it appeared the crowd was about to flip its collective lid. Audience members hurled boos, hisses and curses ...

Continue reading "Concert review: Lauryn Hill, Tribe & Wu Tang @ Rock the Bells" »

Posted by Sam Sessa at 10:17 AM | Permalink | Comments (35)
Categories: Concert reviews
        

Sun writer Nick Madigan saw Jackson Browne at Pier Six Pavilion. Here is his review:

Jackson Browne was never the kind of performer to call attention to himself.

For four decades, and without fanfare, he has been delivering his heartfelt tributes to enlightenment and lost love to packed houses of the faithful, all the while doing his utmost to avoid the harshest of the public spotlight's glare.

That reticence, born of profound and often sorrowful introspection, was never more clear than on Tuesday night, at Baltimore’s Pier Six Pavilion. Pairing up once again with his longtime collaborator David Lindley — the virtuoso stringman who was at his side for much of his early career — Browne not only started off with songs by other composers, Warren Zevon and Bruce Springsteen, but ceded the stage entirely to Lindley after just four numbers.

However, upon returning with his full band after an intermission, Browne — still improbably youthful at 61 — proved that the vagaries of age and the passage of time have dimmed neither his energy nor the pleasure he takes in his adherents' adulation, even if much of his audience — this reviewer included — long ago sprouted gray hair and crow's feet ...

Continue reading "Concert review: Jackson Browne at Pier Six Pavilion" »

Posted by Sam Sessa at 12:49 PM | Permalink | Comments (6)
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Sun writer Evan Haga saw Tears for Fears last night at Rams Head Live. Here are his thoughts:

There was a lot of grace and balance about Tears for Fears' roughly hour-and-a-half performance last night at Rams Head Live: A healthy sense of nostalgia was present, sure, but the show didn't use the past as a crutch, or as a reason not to apply a little elbow grease.

As a touring sextet, Tears for Fears sounded well-rehearsed, precise, über-professional; somewhat surprising considering the band hasn't, like many of its contemporaries, made a post-career of touring the hits ...

Continue reading "Concert review: Tears for Fears at Rams Head Live" »

Posted by Sam Sessa at 12:32 PM | Permalink | Comments (18)
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Sun writer (and wrestling blogger) Kevin Eck saw Kiss at Jiffy Lube Live. Here is his review:

To many people, Kiss has long been Gene Simmons, Paul Stanley and two other guys.

Even when fellow original members Ace Frehley and Peter Criss returned to the iconic glam rock group in the late '90s, it was clear that Simmons and Stanley were steering the ship and the other two were simply along for the ride.

That's not the case with the band's current lineup, though. While "The Demon" and "The Starchild" are still Kiss' main men both on and off stage, lead guitarist Tommy Thayer and drummer Eric Singer – who have assumed the "Spaceman" and "Catman" stage personas made famous by Frehley and Criss, respectively – are more than just bit players.

In fact, they provided some of the more memorable moments from Saturday night's Kiss concert at Jiffy Lube Live in Bristow, Va. ...

Continue reading "Concert review: KISS at Jiffy Lube Live" »

Posted by Sam Sessa at 10:01 AM | Permalink | Comments (3)
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Midnight Sun correspondent Evan Haga saw MGMT at Merriweather Post Pavilion Saturday. Here is his review:

MGMT, a psychedelic quintet whose founders and leaders — vocalist/guitarist Andrew VanWyngarden and keyboardist Ben Goldwasser — are precocious, sometimes brilliant pop craftsmen, offered one of their biggest hits on Saturday night in a way that might be termed an "anti-performance."

To its pre-recorded synthesizer track, the two men sang "Kids" and danced modestly while the rest of the band loitered, nodded along or tooled around on their instruments. (At one point a bra was thrown onstage from the audience and tossed around until VanWyngarden put it on.)

The decision to go karaoke could have been interpreted a couple different ways, depending on what music blogs you read and how much of them you choose to believe. On one level it was an exercise in group catharsis; a way to get the players out from behind their instruments, get loose and enjoy a big falsetto hum-along with the large amphitheater crowd. In a different way it seemed to mock the song and deliver it as an afterthought; a kiss-off to a pop single from a band with much bigger ambitions, perhaps? ...

Continue reading "Concert review: MGMT @ Merriweather Post Pavilion" »

Posted by Sam Sessa at 8:37 AM | Permalink | Comments (7)
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Much fuss has been made about The Black Eyed Peas selling out. Target, Apple, Best Buy, Nokia, Pepsi -- no corporate sponsor is turned away by the pop stars, it seems.

So what?

Any criticism of the band's success was drowned last night in the sea of fans who mobbed 1st Mariner Arena last night to bounce in place along Fergie, Will.i.am, apl.de.ap and Taboo.

Here's a link to a photo gallery from the show.

Aside from a few slow spots, the show was a ball of electricity, with the Peas tearing through hit after hit...

Continue reading "Concert review: Black Eyed Peas at 1st Mariner Arena" »

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Sun correspondent Evan Haga was at Merriweather Post Pavilion for Spirit Fest Saturday. Here are his ruminations from the show:

Chuck Brown

Like the leader of any world-class funk band, Chuck Brown knows not to neglect the groove, even for a second. The go-go beats began and they didn't quit until set's end, and in between was an interpolated regional hit parade — "Go-Go Swing" and "Bustin' Loose" cropped up, obviously — from a jazzman who is also the ambassador for one of the most singular rhythms on the planet.

The sound on the lawn was a shame, though: The District was well represented, as cries of "Wind me up, Chuck!" proved, but the mix beyond the seats was spotty and soft. I could hardly hear Brown's warm-toned, Grant Green-styled guitar lines ...

Continue reading "Concert review: Erykah Badu, the Roots & Chuck Brown at Spirit Fest" »

Posted by Sam Sessa at 12:14 PM | Permalink | Comments (4)
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It had all the makings of a mediocre show: The lawn was largely empty, the weather soggy and overcast.

But those who did come to see Keane at Merriweather Post Pavilion last night wanted to see a great show -- not a middling one. Through sheer force of will, the crowd members made it happen. They screamed before, during and after nearly every song. They clapped, and belted out the lyrics and danced at their seats. The energy was unbelievable. Singer Tom Chaplin seemed genuinely surprised at their enthusiasm.

"You should give yourselves a hand," he said after a few numbers. They did ...

Continue reading "Concert review: Keane at Merriweather Post Pavilion" »

Posted by Sam Sessa at 7:30 AM | Permalink | Comments (5)
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Sun sports editor Ron Fritz was at last night's Goo Goo Dolls show at Pier Six Pavilion. Here's Ron's review:

To be honest, it was my first time seeing a concert at Pier Six, but it won’t be the last. Not only is the venue impressive, but last night the weather matched it, with a cool breeze coming off the water.

Then the bands took the stage and raised the temperature a few notches. The Spill Canvas from Sioux Falls, S.D., was the opener and they played a tight, 30-minute set that included two new songs, "Dust Storm" and "Our Song," and ended with fan favorite "All Over You."

I'll admit that I'm a huge fan of the group and have seen them four or five times in the Baltimore area and each time they seem to get a little better. Touring with Switchfoot and a veteran band like the Goo Goo Dolls definitely agrees with them ...

Continue reading "Concert review: Goo Goo Dolls at Pier Six Pavilion" »

Posted by Sam Sessa at 2:22 PM | Permalink | Comments (6)
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Midnight Sun contributor Evan Haga saw the Dead Weather at Rams Head Live last night. Here is his review:

Strangely — very strangely — the Dead Weather can evoke a reaction similar to what one feels in the presence of a symphony with a sharp conductor, or a particularly inventive jazz repertory band.

It's all about heritage with this quartet, about sifting through the ages and plucking the really good stuff. The ominous, psychedelic-eye backdrop; the Captain Beefheart entrance music; the roadies dressed like Southern Gothic assassins; the goat-head stage props: Making aesthetic decisions is something this band does well.

The blues-crazed music, with its keen ear for late '60s and '70s sonics and deft way with rhythm, followed suit, and the attitude and posturing were veracious. Most of last night's one-hour-and-fifteen-minute set at Rams Head Live sneered and bristled as in the pushing-match moments before a fistfight. These people have the right idea. ...

Continue reading "Concert review: The Dead Weather at Rams Head Live" »

Posted by Sam Sessa at 12:18 PM | Permalink | Comments (4)
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Midnight Sun commenter Jay Trucker saw Heart play at Pier Six Pavilion last night. Here is his review of the show:

'70s hard rockers-turned-'80s balladeers-turned classic rock mainstays Ann and Nancy Wilson brought their 2010 tour to Pier Six Pavilion Sunday night, with a well-rounded set list and pleasing performance.

Heart's multi-generational fan base was on hand, including a sizable number of sidewalk freeloaders and boat-dwellers.

Just as sunset hit the Inner Harbor, Heart made their way to the stage for a 100-minute set that featured every song the casual fan wanted to hear as well as a number of lesser-known tracks ...

Continue reading "Concert review: Heart at Pier Six Pavilion" »

Posted by Sam Sessa at 11:15 AM | Permalink | Comments (9)
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Two songs into Gov't Mule's set at last night's Artscape, bassist Jorgen Carlsson's amp started crackling.

The four-piece paused for a minute while the roadies swapped it out, and then resumed the song, "Steppin' Lightly."

"We're not going to let a little technical difficulty stand in the way of a good time this evening," front man Warren Haynes said.

They didn't.

What followed was just what you'd expect from the acclaimed jammers -- more than an hour and a half of thick riffs, searing solos and Southern rock songs. In short, it was good time music from a bunch of good ol' boys ...

Continue reading "Concert review: Gov't Mule & Cold War Kids at Artscape" »

Posted by Sam Sessa at 1:54 AM | Permalink | Comments (3)
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Sun reporter Chris Kaltenbach saw B.B. King perform at Pier Six Pavilion last night. Here are his thoughts:

It's not every day you get to watch the Statue of Liberty walk onstage, but that's what it felt like watching blues legend B.B. King enter Pier 6 Pavilion last night.

At age 84, the man's best performing days are clearly behind him. But watching and hearing a legend is an opportunity not to be missed, and on that level alone, King did not disappoint ...

Continue reading "Concert review: B.B. King at Pier Six Pavilion" »

Posted by Sam Sessa at 10:58 AM | Permalink | Comments (3)
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Midnight Sun correspondent Patrick Gavin saw the Counting Crows and Augustana perform last night at Pier Six Pavilion. Here is his review:

Last night's Counting Crows and Augustana concert had a lot in common with Sunday's World Cup final: Two "teams" giving it their all, an endless sense of anticipation throughout, little in the way of highlights -- though most who stayed 'til the end left satisfied -- and a last-minute heart -breaker of a goal by Andres Iniesta.

Wait ... forget that last thing. I botched my Venn diagram.

Put it this way: The smart fans for both spectacles were the ones who took their pre-gaming seriously and showed up at halftime.

For the second year in a row these two acts brought their "Traveling Circus and Medicine Show" to the area – this time Pier 6 Pavilion – in an unconventional but utterly welcome format. ...

Continue reading "Concert review: Counting Crows at Pier Six Pavilion" »

Posted by Sam Sessa at 10:55 AM | Permalink | Comments (30)
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Halfway through the Smashing Pumpkins' show at Rams Head Live last night, singer Billy Corgan asked the crowd what year it was.

"1979," the audience shouted, begging for the band's 1996 hit. It was not to be.

"Yeah, it sure ain't 1993," Corgan replied.

Corgan refuses to be labeled a relic, and last night's intimate club date was no hit parade. The '90s alt-rock pioneers never actually played "1979," though they did do "Bullet With Butterfly Wings" and "Tonight."

The show, which lasted more than two hours, was advertised as a tour through the Pumpkins' catalog, and that's what the band delivered. It was not a concert for the casual Pumpkins listener -- it was a performance for true fans ...

Continue reading "Concert review: Smashing Pumpkins at Rams Head Live" »

Posted by Sam Sessa at 10:08 AM | Permalink | Comments (23)
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Deck shuffleboard is for old people on boats. Table shuffleboard is for young people in bars. 

Table shuffleboard is a game of precision, where, like darts or beer pong, it's all in the wrist.

Dozens of Baltimore bars have shuffleboard. Here's a link to FindLocal's list of six spots with the game.

But where are the best places to play it? ...

Continue reading "Corkboard: Baltimore bars with table shuffleboard" »

Posted by Sam Sessa at 8:55 AM | Permalink | Comments (29)
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Last year, when I reviewed Phish's show at Merriweather Post Pavilion, a commenter named Matthew Pugh said he could write a better review than me. Instead of telling him to buzz off, I told him to prove it, and recruited him to review Phish this time around. Here is his review of Saturday's show:

Make no mistake about it. When Phish arrived last night at Merriweather Post Pavilion in Columbia for the first show of a two-night stand, they brought not peace, but a sword to remove any lingering doubt about them being one of the most dangerous bands alive ...

The Vermont quartet played for nearly four hours, ripping through 23 songs in two sets. They launched the first with "Crowd Control" and "Kill Devil Falls," the same two songs they opened with last August at Merriweather — a show that met with much criticism from fans new and old. Phish, therefore, meant one of two things with this identical start: We're going to try this again OR maybe you didn't hear us the first time. ...

Continue reading "Concert review: Phish at Merriweather Post Pavilion" »

Posted by Sam Sessa at 7:37 AM | Permalink | Comments (47)
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Midnight Sun reviewer and JazzTimes editor Evan Haga was at Pier Six Pavilion last night to see Yes and Peter Frampton. Here are this thoughts on the show: 

Rock shows are many, many things, but they typically aren't punctual.

Yet Peter Frampton and his four-member touring band took the stage at Pier 6 a few minutes before their scheduled 7 p.m. start time last night, and the promptness proved necessary: There was a lot of music to plow through.

Frampton was part of a double-bill with Yes, and each group performed a hearty, roughly hour-and-40-minute set, including encores. It was an effective pairing, with enough contrast but also some shared philosophies. Nostalgia was a factor, sure — these bands toured together as commercial juggernauts in 1976 — but so was professionalism and musicianship: The comfort of proper sound engineering, the splendor of the extended guitar or keyboard solo, the willingness to play single songs that lasted half as long as a typical opening act's entire set. (As rock and roll history goes, punk exists because of concerts like this one.) Peter Frampton, then as now, offered the looser, sunnier side of '70s rock excess; Yes' progressive rock was the bookish, labyrinthine sort. ...

Continue reading "Concert review: Peter Frampton & Yes at Pier Six Pavilion" »

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All too often, electro-rock bands disappoint live. The thick, processed vocals sound thin in person, the lockstep synthesizers out of sync.

Not so for Passion Pit. When the five-piece from Massachusetts kicked off a summer tour with a sold-out gig at Rams Head Live last night (tonight they'll be at the 9:30 Club in Washington), the grooves were tight and funky and singer Michael Angelakos' (pictured, top) sailing falsetto was strong enough to tickle the club's rafters.

Here is a link to a photo gallery of the show.

The set wasn't long -- it clocked in at a about an hour, give or take -- but that's understandable. Passion Pit only has one album out so far, last year's "Manners," which made a splash on the indie scene. And most of the synth-heavy songs from "Manners" held up live ...

Continue reading "Concert review: Passion Pit, Tokyo Police Club at Rams Head Live" »

Posted by Sam Sessa at 8:54 AM | Permalink | Comments (10)
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So I survived yesterday's Preakness infield debauchery, which was much wilder than last year but not nearly as nuts as the BYOB days.

I think that's exactly how organizers wanted it. If you wanted to get wasted, you had to spend half your day waiting in beer lines.

I spotted a dude named Keith Carrier, who was carrying around a metal bucket filled with beer, and stopped him to see where he got it.

Turns out, he stole it from a beer stand and convinced a female bartender to fill it up for $10.

Here's a link to the little piece I wrote about him, and here is a link to a photo of him and his friends with the bucket.

Most of the day, I was in the middle of the masses who came to see the Zac Brown Band and O.A.R. (pictured). Both bands suited the sunny, breezy weather and college-aged crowd perfectly ...

Continue reading "Zac Brown, O.A.R. and a beer bath at Preakness" »

Posted by Sam Sessa at 11:37 AM | Permalink | Comments (12)
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Midnight Sun correspondent and JazzTimes editor Evan Haga saw Pearl Jam at Jiffy Lube Live last night. Here is his review:

When Pearl Jam emerged as part of the early '90s grunge hype, the band seemed like classic rockers among punk bands.

Part of the act had to do with diffidence or plain spite: The brooding lyrics and deadly serious demeanor; the love-hate relationship with commerciality and the limelight; that whole flannel-laden, one-with-the-people aesthetic.

But there was also plenty there for fans of '60s and '70s hard rock: Frontman Eddie Vedder's voice, a highly textured baritone that comes from the belly and can fill every nook of a large space, quickly became iconic; Stone Gossard and Hendrix-worshipping lead guitarist Mike McCready staked a claim as one of rock's great guitar tandems, making nightly arguments for the big riff and the extended solo when musical incompetence was cool.

Simply put, it was thoroughly son's music, but there was enough Aerosmith and Led Zep there to please Dad as well ...

Continue reading "Concert review: Pearl Jam at Jiffy Lube Live" »

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Midnight Sun correspondent Andy Rosen saw Yeasayer's sold-out show at The Ottobar last night. Here is his review:

The first sound out of Yeasayser was a strange, slow synthesizer loop, as the five-piece, eerie indie outfit took the stage at Ottobar Thursday. A faster, spooky guitar line piled on top quickly, at first falling in and out of sync with the keyboard.

The tracks converged for good when the drums dropped in. The sold-out crowd was excited, at least judging from the intensity of the cheers. Still, everybody was just staring, transfixed as the Brooklyn band with Baltimore roots got into "The Children," the first track off this year's release, "Odd Blood." ...

Continue reading "Concert review: Yeasayer at The Ottobar" »

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Midnight Sun concert reviewer John-John Williams IV saw Drake perform at Pier Six last night. Here are his thoughts:

A couple years ago, I would have thought you were crazy if you told me a former kid actor from Canada would roll into Baltimore and rock the crowd with the same swagger and lyrical prowess of veteran rappers from the gritty streets of America's inner cities.

But that is exactly what Drake did last night at Pier Six Pavilion to a crowd of screaming, head nodding, and in a number of cases, scantily dressed, 20-somethings.

It's amazing that this young import has yet to drop his debut album. (It's coming June 15.) Until now he’s been the collaboration king, working with his mentor Lil' Wayne, fellow newcomer Nicki Minaj and industry heavyweights like Alicia Keys.

But he proved last night that he is more than capable of headlining a show. Who knows? He might even live up to the hype of being the next big thing in rap ...

Continue reading "Concert review: Drake at Pier Six Pavilion" »

Posted by Sam Sessa at 8:34 AM | Permalink | Comments (9)
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Midnight Sun writer Patrick Gavin saw David Gray last night at the Lyric Opera House. Here is his review: 

According to the latest census data, one-third of all white 30-somethings within city limits were at the Lyric Opera House for David Gray last night. If you think that's a bit high, it's probably because you haven't mailed your Census 2010 form back yet, you stiff.

I bring up the audience demographic not to mock (that much) but for a practical reason. In Sam's interview with Mr. Gray, the English singer/songwriter renowned for infusing his folk rock with electronic sampling described the perfect show as one in which audiences energetically join in for the anthemic songs and reverently ponder the delicate, introspective ones.

Of course, when you have a show at the Lyric, with its plush red seats that just beg to be parked in all night, you find yourself reverently pondering those melodic, anthemic numbers as well.

What choice do you have? Few can resist the appeal of a comfy seat at a concert or sporting event ...

Continue reading "Concert review: David Gray at Lyric Opera House" »

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The past few years have seen great changes for Norah Jones.

She broke up with her longtime boyfriend and bassist. She dropped her old band and hired a new one, recording and releasing an album, "The Fall," that is more indie rock and alt-country than jazz. She even cut her hair.

For many, including the millions of jazz lovers who helped fuel Jones' phenomenal rise, change can be hard to accept, but it has had a striking effect on Jones.

When she strode onto the stage last night at the Lyric Opera House, cute and sassy in a black dress with white polka dots and a red sash, she seemed confident in her abilities and eager to stretch out her new sound.

Many of the tracks on "The Fall" are wistful and solitary, with Jones longing for a love that is just out of reach, and last night, her seasoned five-piece band let the songs breathe. Silence was as much of an instrument as guitarist Smokey Hormel's melodic solos ...

Continue reading "Concert review: Norah Jones at Lyric Opera House" »

Posted by Sam Sessa at 8:20 AM | Permalink | Comments (4)
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Midnight Sun writer Patrick Gavin saw Julian Casablancas last night at Rams Head Live. Here is his review:

"Nice little crowd we got here, Baltimore, f--- yeah!"

Nothing masks disappointment like a casual expletive. The operative word in that quote from Julian Casablancas, the Strokes front man turned solo artist, was "little."

"Little" as in Rams Head Live last night opted to cordon off its second and third floors because the modest crowd could comfortably fit in the downstairs stage/bar area.

"Little" as in this crowd would be considered a tad scant for the cover act Mr. Greengenes, who played the same venue two nights prior, let alone the guy who did as much for the garage rock revival on both sides of the Atlantic in the 2000s as Jack White.

"Little" as in ... all right, all right. Suffice it to say that Mr. Casablancas could have helped that humble pie go down a bit smoother ...

Continue reading "Concert review: Julian Casablancas at Rams Head Live" »

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Midnight Sun guest poster Andy Rosen saw Ben Folds last night, Here is his review:

Last night's show at Rams Head Live was advertised as Ben Folds "and a Piano." Though Folds had the stage to himself, he spent part of the evening broadcasting randomly selected chat video dispatches from the freakish world of Chatroulette.

The foray into the Internet fad, which connects people and their web cams without prejudice, produced several rejected connections, a naked woman and a quick chat with a bejeweled man named "Blas."

But it was perhaps the people who Folds didn't bring to the stage who most defined his performance ...

Continue reading "Concert review: Ben Folds at Rams Head Live" »

Posted by Sam Sessa at 11:42 AM | Permalink | Comments (17)
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Alicia Keys came uncaged last night at 1st Mariner Arena.

With images of barbed wire fences flashing on the big digital screens around her, Keys was wheeled out in a rectangular cage for the opening number, "Love is Blind."

Keys sang most of the song inside her personal prison, before dramatically bending back the bars and stepping out to freedom.

In case concertgoers didn't get the point, Keys would spend the next hour dropping inspirational lines between songs while the screens displayed words like "Rise Up" and "Fight." The tour, which takes her to the Verizon Center in Washington tonight, is even called the Freedom Tour.

"I don't want anybody to hold you back," said Keys, her legs shimmering in tight silver sequined pants. "Everything you need is right here inside of you." ...

Continue reading "Concert review: Alicia Keys at 1st Mariner Arena" »

Posted by Sam Sessa at 8:27 AM | Permalink | Comments (7)
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This morning, I realized I'd forgotten to mention something random that happened at Daughtry's show at 1st Mariner Arena Thursday (read the review here).

Before Daughtry's set started, a white sheet was hung around the stage, and squiggles and other shapes were projected onto it (Windows screen saver style). Meanwhile, the speakers played the theme to the original "Batman" movie -- for a few minutes.

It was totally random, and in hindsight, I kinda got a kick out of it. I wonder if other people in the crowd picked up on it.

Posted by Sam Sessa at 10:28 AM | Permalink | Comments (2)
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Daughtry's tour opener at 1st Mariner Arena last night had all the right pieces of a gnarly rock show: The angst-filled anthems, the charismatic front man, the laser lights, the shirtless drummer.

But when all the parts came together, the result was a standard, 90-minute color-by-numbers rock concert, somewhat marred by technical difficulties.

To be a remarkable show, it needed a spark, which never came.

Lead singer Chris Daughtry, with his dexterous voice and new crop of black hair(!) carried the night.

It's easy to see why the former American Idol's debut album, "Daughtry," has sold five million copies: Daughtry makes the simmering low notes count just as much as the wails. He's one heck of a singer ...

Continue reading "Concert review: Daughtry at 1st Mariner Arena" »

Posted by Sam Sessa at 11:18 AM | Permalink | Comments (11)
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From the first notes of the fist-pumping protest anthem "Uprising," Muse set the dial at 10, where it stayed for the rest of the 100-minute show.

The British power trio has a sound tailor made for arenas such as 1st Mariner, where they played last night. It was a night of colossal riffage and manic special effects, from frantic laser lights to disturbing videos.

"Rise up and take the power back it's time the / fat cats had a heart attack we have to / unify and watch our flag ascend, so come on," lead singer/guitarist Matt Bellamy (pictured) sang.

Did he mean it? With his turquoise pants, sparkly silver shoes and Kanye West glasses, it was hard to tell.

After the show, more people probably watched the Maryland-Duke game or grabbed a snack from McDonald's than rose up to overthrow the fat cats. I'll bet most folks came to rawk, and rawk they did ...

Continue reading "Concert review: Muse at 1st Mariner Arena" »

Posted by Sam Sessa at 9:28 AM | Permalink | Comments (25)
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In today's Live section, I profiled the no-frills rock group Cage the Elephant (read the piece here).

The five-piece from Kentucky is known more for their raucous live shows than their smoldering self-titled debut album.

To get a taste of what Cage the Elephant's sold-out show at the Recher Theatre will be like, I saw their sold-out show at the 9:30 Club last night. It was good -- but not great.

Honestly, after watching so many YouTube clips of lead singer Matt Shultz crowd diving and jumping off second-story balconies, I think I set my expectations too high ...

Continue reading "Concert review: Cage the Elephant at 9:30 Club" »

Posted by Sam Sessa at 1:20 PM | Permalink | Comments (4)
Categories: Concert reviews