« Midnight Sun will be on cask tonight at Max's | Main | Corkboard: What bar has the best Preakness celebration? »

March 31, 2010

Concert review: Norah Jones at Lyric Opera House

norah jones performs at the lyric opera house in baltimoreThe past few years have seen great changes for Norah Jones.

She broke up with her longtime boyfriend and bassist. She dropped her old band and hired a new one, recording and releasing an album, "The Fall," that is more indie rock and alt-country than jazz. She even cut her hair.

For many, including the millions of jazz lovers who helped fuel Jones' phenomenal rise, change can be hard to accept, but it has had a striking effect on Jones.

When she strode onto the stage last night at the Lyric Opera House, cute and sassy in a black dress with white polka dots and a red sash, she seemed confident in her abilities and eager to stretch out her new sound.

Many of the tracks on "The Fall" are wistful and solitary, with Jones longing for a love that is just out of reach, and last night, her seasoned five-piece band let the songs breathe. Silence was as much of an instrument as guitarist Smokey Hormel's melodic solos ...

The 90-minute show veered more toward country than jazz, and opened with a few slow burners from "The Fall," including "I Wouldn't Need You" and "Light As a Feather." Jones strapped on a guitar for the first three, and even picked out a handy little solo in "Tell Your Mama."

Here is a link to more photos from the show.

Over the course of the evening, Jones would switch from guitar to electric piano to acoustic piano and back again, quickening the pace with the retro-leaning "Chasing Pirates," then easing it back with a bare bones take on "Don't Know Why."

The show was heavy on new material and sprinkled with Jones' hits. "Come Away With Me" was as breezy and ethereal as ever, "Sinkin' Soon," from her 2007 album "Not Too Late," had a tipsy circus lilt, and an affecting cover of the Kinks tune "Strangers" ("just 'cause," Jones explained) closed out the set.

norah jones performs at the lyric opera house in baltimoreJones turned 31 yesterday, and her backup singer Sasha Dobson cheerfully led the crowd in a rendition of "Happy Birthday."

"I've never had an audience sing for me," Jones quipped. "Should I pay for it? Thanks. I'm blushing now."

And oh, what a voice Jones has. Her singing could soften the hardest of hearts. She could have sung us her Wikipedia entry and we would have swooned.

Last night, Jones showed the full house she was well aware of her roots, but unafraid to try a new tack. Change has been a good thing for Jones' music. Let's hope she keeps it up.

Opener: Before Jones' show, Dobson gave a 45-minute solo set, alone with a guitar on stage. Dobson is a gifted singer, and her songs took some interesting twists. I'd be interested to hear them with more instrumentation.

Jones' performance started at 9:10 p.m. and ended at 10:40 p.m.

Here is the set list:

1. I Wouldn't Need You
2. Tell Your Mama
3. Light as a Feather
4. Chasing Pirates
5. Even Though
6. It's Gonna Be
7. Broken
8. Waiting
9. Sunrise
10. You've Ruined Me
11. Back to Manhattan
12. Sinkin' Soon
13. Bull Rider (Rodney Crowell cover)
14. Man of the Hour
15. Don't Know Why
16. Young Blood
17. Stuck
18. Come Away With Me
19. Strangers


How Many Times Have You Broken My Heart

(Photos by Colby Ware/Special to the Baltimore Sun)

Follow Midnight Sun on Facebook and Twitter @midnightsunblog
Posted by Sam Sessa at 8:20 AM | | Comments (4)
Categories: Concert reviews


Love Norah Jones!!! She's awesome!

Such a lovely show by the oh-so talented Norah! Great recap :)

Norah was fantastic! Nice review and great photos!

now I am mad I didn't take the risk on Stub Hub. I knew it was gonna be a good one. Thanks for confirming my stupidity and making me feel bad, Sam.

Post a comment

All comments must be approved by the blog author. Please do not resubmit comments if they do not immediately appear. You are not required to use your full name when posting, but you should use a real e-mail address. Comments may be republished in print, but we will not publish your e-mail address. Our full Terms of Service are available here.

Please enter the letter "g" in the field below:
About Erik Maza
Erik Maza is a features reporter at the Baltimore Sun. He writes for several sections of the Sun paper and contributes weekly columns on music and nightlife. He also writes and edits the Midnight Sun blog. He often covers entertainment, business, and the business of entertainment. Occasionally, he writes about Four Loko, The Block, the liquor board, and those who practice "simulated sex with a potted palm tree." Before The Sun, he was a reporter at the Miami New Times. He's also written for Miami magazine, the Orlando Sentinel, the Sarasota Herald Tribune and the Gainesville Sun. Got tips? Gripes? Pitches? He's reachable at Click here to keep up with the dumb music he's listening to.

Midnight Sun covers Baltimore music, live entertainment, and nightlife news. On the blog, you'll find, among other things, concert announcements, breaking news, bars closings and openings, up-to-date coverage of crime in nightlife, new music, round-the-clock coverage of Virgin Mobile FreeFest, handy guides on bars staying open past 2 a.m. on New Year's Eve and those that carry Natty Boh on draft. Recurring features include seven-day nightlife guides, Concert News, guest reviews of bars and concerts, Wednesday Corkboard, and photo galleries, as well as reader-submitted photos. Thanks for reading.

Most Recent Comments
Recent tweets
Sign up for FREE nightlife alerts*
Get free Baltimore Sun mobile alerts
Sign up for nightlife text alerts

Returning user? Update preferences.
Sign up for more Sun text alerts
*Standard message and data rates apply. Click here for Frequently Asked Questions.
  • Weekend Watch newsletter
Plan your weekend with's best events, restaurant and movie reviews, TV picks and more delivered to you every Thursday for free.
See a sample | Sign up

Photo galleries
Stay connected