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February 18, 2013

Center Stage adds performance of 'Mountaintop'; Annex Theatre extends 'Equus'

It looks like a full-fledged trend -- Baltimore theater companies adding performances of productions thanks to popular demand this winter.

First to announce was Everyman Theatre, which extended the run of "August: Osage County." Two more companies have likewise found themselves with hits.

Katori Hall’s "The Mountaintop" isn't for everybody, but this serious/humorous/surreal look at Rev. Martin Luther King's last night, April 3, 1968, has turned out to be "one of the highest grossing plays" in the 50-year history of Center Stage, the company reports.

Although the production, directed by Kwame Kwei-Armah, still has to close on Feb. 24 as originally scheduled, an extra performance has been added that day -- 7:30 p.m. (Scheduling conflicts prevent a longer extension.)

Meanwhile, Annex Theatre, one of the city's young, intrepid troupes, reports that, "due to an extremely positive audience reaction," two more weekends have been added to its production of Peter Shaffer's "Equus." 

The show, directed by Mason Ross, opened Feb. 7 at the H&H Building downtown and was slated to finish up on the 17th. It will instead continue there through the weekends of Feb. 23 and March 1.

(You may recall that the Annex Theatre had hoped to be in a new, permanent home on North Avenue in a renovated fast food place, but there have been delays in the renovation process.)

PHOTO (Myxolydia Tyler, Shawn Hamilton in 'The Mountaintop') BY RICHARD ANDERSON

Posted by Tim Smith at 9:28 AM | | Comments (0)
Categories: Center Stage, Drama Queens

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About Tim Smith
Born and raised in Washington, D.C., I couldn't help but develop a keen interest in politics, but music, theater and visual art also proved great attractions. Music became my main focus after high school. I thought about being a cocktail pianist, but I hated taking requests, so I studied music history instead, earning a B.A. in that field from Eisenhower College (Seneca Falls, N.Y.) and an M.A. from Occidental College (Los Angeles). I then landed in journalism. After freelancing for the Washington Post and others, I was classical music critic for the Sun-Sentinel in South Florida, where I also contributed to NPR. I've written for the New York Times, BBC Music Magazine and other publications, and I'm a longtime contributor to Opera News. My book, The NPR Curious Listener's Guide to Classical Music (Perigee, 2002), can be found on the most discerning remainder racks.

I joined the Baltimore Sun as classical music critic in 2000 and, in 2009, also became theater critic, giving me the opportunity to annoy a whole new audience. In 2010, my original Clef Notes blog expanded to encompass a theatrical component -- how could I resist calling it Drama Queens? I hope you'll find both sides of this blog coin worth exploring and reacting to; your own comments are always welcome and valued (well, most of them, at least).

Think of this as your open-all-hours, cyber green room, where there's always a performer or performance to discuss, some news to digest, or maybe just a little good gossip to share.
Note: Tim Smith now writes about the fine arts at This blog will be kept in place as an archive for an indefinite period. Please visit the new location to get the latest Mid-Atlantic arts coverage.
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