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December 12, 2012

Midweek Madness feels the need for a little Christmas now

Yes, I know it's way past midday on Midweek Madness day as I post this. So sue me. I had stuff to do. Big, important stuff. And at least two boxes of bonbons to get through.

To lift your spirits, how about a little Christmas now? Oy, could we all use a little Christmas now.

I probably shouldn't have picked sharing this clip, since it really isn't quite awful enough to be thoroughly laughable -- well, maybe it is, at that -- and because I really do love Lucy (Ricardo more than Ball, if truth be told).

This is the "We Need a Little Christmas" scene from "Mame," the film version of the Jerry Herman musical that was based on the book, play and film "Auntie Mame." Now everyone knows that the "Auntie Mame" film is a masterpiece that cannot be bettered, thanks to the divine Rosalind Russell, but the musical does have its points.

Still, if you're going to do a movie of the musical, shouldn't you at least cast it with a star who can sing? Lucy gives it her all, I suppose. And, every now and then, she does ...

register something genuine (even if it is hard to see, given that she was filmed through linoleum). But she's no Roz Russell.

The movie is a tough slog (I can't share the enthusiasm of the person who uploaded the video clip), and this would-be rousing number sure does feel flat (partly, to my ears, because Herman already wrote something awfully similar, melodically speaking, in "Hello, Dolly" -- check out "It Takes A Woman").

I am not sure what is worse in this scene -- Lucy's basso not-so-profondo and stiff arm gestures? The cheap accent for the smiley servant ("neighbor-ry")? The washed-out look of the production?

Heck, I guess this does qualify for Midweek Madness after all. I sure hope it gets you in a great holiday mood:

Posted by Tim Smith at 2:16 PM | | Comments (0)
Categories: Clef Notes, Drama Queens, Midweek Madness

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About Tim Smith
Born and raised in Washington, D.C., I couldn't help but develop a keen interest in politics, but music, theater and visual art also proved great attractions. Music became my main focus after high school. I thought about being a cocktail pianist, but I hated taking requests, so I studied music history instead, earning a B.A. in that field from Eisenhower College (Seneca Falls, N.Y.) and an M.A. from Occidental College (Los Angeles). I then landed in journalism. After freelancing for the Washington Post and others, I was classical music critic for the Sun-Sentinel in South Florida, where I also contributed to NPR. I've written for the New York Times, BBC Music Magazine and other publications, and I'm a longtime contributor to Opera News. My book, The NPR Curious Listener's Guide to Classical Music (Perigee, 2002), can be found on the most discerning remainder racks.

I joined the Baltimore Sun as classical music critic in 2000 and, in 2009, also became theater critic, giving me the opportunity to annoy a whole new audience. In 2010, my original Clef Notes blog expanded to encompass a theatrical component -- how could I resist calling it Drama Queens? I hope you'll find both sides of this blog coin worth exploring and reacting to; your own comments are always welcome and valued (well, most of them, at least).

Think of this as your open-all-hours, cyber green room, where there's always a performer or performance to discuss, some news to digest, or maybe just a little good gossip to share.
Note: Tim Smith now writes about the fine arts at This blog will be kept in place as an archive for an indefinite period. Please visit the new location to get the latest Mid-Atlantic arts coverage.
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