'Xanadu' gets sparkling revival from Signature Theatre
Then there was an odder, barely watchable film in 1980, "Xanadu," based on the Hayworth vehicle and featuring Olivia Newton-John as Terpsichore, this time descending from Olympus to lend inspiration to guy dreaming of a roller disco.
Finally, there came the 2007 Broadway musical "Xanadu," which spoofed all of that other stuff, and did so in awfully clever fashion.
That show, with a book by Douglas Carter Beane and music and lyrics by Jeff Lynne and John Farrar, has received a sparkling -- literally, given the plethora of disco balls -- revival by Signature Theatre.
It adds up to 90 minutes of ...
This production's got more snaps than "RuPaul's Drag Race." The fun starts at the door, when ushers pass out glow sticks. Inside, Misha Kachman's colorful set continues the playful mood and provides a slick space for the absurd story -- and all the cool roller-skating -- to unfold.
Matthew Gardiner's direction is consistently imaginative and superbly paced; there is not a sagging moment, even when the musical itself is at its weakest (a 1940s flashback). Visual shtick that could land with a thud in the wrong hands sails here, including bits with a phone cord and a slow descent on a staircase.
Gardiner gets loads of personality from the performers, who handle the deliciously nutty dialogue ("That sign is a sign") with aplomb and also execute his imaginative choreography with near-uniform flair.
As Clio, the sweet muse who dons leg-warmers and assumes an Australian accent (of course) for her earthly manifestation, Erin Weaver rocks this disco dominion.
She's cute and funny, getting laughs just from the way she flutters her hands to cast a spell. She's got a bright, sturdy singing voice that rides those still-catchy Electric Light Orchestra melodies. On top of everything, Weaver's a mean roller-skater, gliding effortlessly in and out of scenes.
Like Keanu Reeves in full surfer-dude mode (Kathleen Geldard's costuming adds the finishing touch), Charlie Brady is spot-on as dim-bulb Sonny Malone, whose sidewalk drawing of the muses sets the plot spinning.
Harry A. Winter is disarming as Danny Maguire, the big bad businessman who has a change of heart. The bi-gender corps of muses does shining work, with particularly notable scenery-chewing (literally, at one point) by Sherri L. Edlelen, hot vocalism from Nova Y. Payton, and colorful drollery from Mark Chandler.
Other assets include the hard-working band, led from the keyboard by Gabriel Mangiante, and Chris Lee's vibrant lighting, which helps to make "Xanadu" a most diverting destination, a place where you'll just love being "suspended in time."