Rep Stage closes season with intriguing 'Las Meninas'
Seizing on some hard facts and tantalizing gossip from the time, the Pulitzer Prize-winning Nottage spins a tale of Louis XIV and his Spanish-born queen, Marie-Therese. When the neglected, frustrated queen receives an off-beat gift -- an African dwarf named Nabo -- things get curiouser and curiouser.
Adding to the fascination is the presence of a nun, Louise Marie-Therese, who serves as ..
"Las Meninas" feels a bit padded in places and runs out of theatrical steam in others, but it makes its points about privilege, sex and race in a mostly telling, often wonderfully provocative way. There is considerable humor along the way, too, some of it visual and unabashedly vulgar.
The Rep Stage production, fluidly directed by Eve Muson, gains considerably from Elena Zlotescu's transparent set and fanciful costumes, which produce a symphony in fancy white. Dan Covey's expert lighting provides the finishing visual touch.
The performance by Katie Hileman, as the queen, is a little stiff and studied at times, but the net result is effective nonetheless. KeiLyn Durrel Jones, who has to spend a lot of time in a severely stooped position to suggest Nabo's height, creates a rather endearing portrayal of the queen's clever plaything.
Drew Kopas does a colorful job as the king. As Louise Marie-Therese, Fatima Quander tends to stick to one volume and tone of delivery, but she summons a good deal of expressive power for the closing portion of the play.
Susan Rome shines in a dual assignment as the Queen Mother and Mother Superior. Tony Tsendeas likewise does accomplished work in a pair of supporting roles. A frilly, foppish group of courtiers fills out the staging of this imaginative, multi-layered play.
In a nice coincidence of timing, a production of "Ruined," the piece that earned Nottage her Pulitzer in 2009, opens this week at the Fells Point Corner Theatre.
PHOTO BY STAN BAROUH