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March 7, 2012

Midweek Madness: A Bergman teaser for Kennedy Center's Nordic Cool 2013

The Kennedy Center's 2012-2013 season promises something called Nordic Cool, which sounds, well, cool, just on the face of it. The details get even cooler.

There is, for example, a stage version of Ingmar Bergman's sprawling, absorbing, sumptuously filmed "Fanny and Alexander." Learning about that made me think of something else related to Bergman, which is where Midweek Madness comes in.

For years, the mere mention of Bergman's name has made me think of only one thing: "Whispers of the Wolf," introduced to his equally unsuspecting television viewers by Count Floyd, the ever so slightly edgy host of "Monster, Chiller, Horror Theater" on SCTV, the channel to end all channels.

So here, then, as my latest effort to satisfy your understandably insatiable Midweek Madness craving, I offer this profoundly incisive Bergman-esque appetizer for next year's Nordic Cool festival at the Kennedy Center. You will never think of the number "1313" the same way again:

Posted by Tim Smith at 5:50 AM | | Comments (1)
Categories: Clef Notes, Drama Queens
        

Comments

I should have been a pair of ragged claws. Sad claws. Sad, sad claws. Scuttling across the floors of silent seas. Cold, silent seas. Cold..Silent.

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About Tim Smith
Born and raised in Washington, D.C., I couldn't help but develop a keen interest in politics, but music, theater and visual art also proved great attractions. Music became my main focus after high school. I thought about being a cocktail pianist, but I hated taking requests, so I studied music history instead, earning a B.A. in that field from Eisenhower College (Seneca Falls, N.Y.) and an M.A. from Occidental College (Los Angeles). I then landed in journalism. After freelancing for the Washington Post and others, I was classical music critic for the Sun-Sentinel in South Florida, where I also contributed to NPR. I've written for the New York Times, BBC Music Magazine and other publications, and I'm a longtime contributor to Opera News. My book, The NPR Curious Listener's Guide to Classical Music (Perigee, 2002), can be found on the most discerning remainder racks.

I joined the Baltimore Sun as classical music critic in 2000 and, in 2009, also became theater critic, giving me the opportunity to annoy a whole new audience. In 2010, my original Clef Notes blog expanded to encompass a theatrical component -- how could I resist calling it Drama Queens? I hope you'll find both sides of this blog coin worth exploring and reacting to; your own comments are always welcome and valued (well, most of them, at least).

Think of this as your open-all-hours, cyber green room, where there's always a performer or performance to discuss, some news to digest, or maybe just a little good gossip to share.
Note: Tim Smith now writes about the fine arts at baltimoresun.com/artsmash. This blog will be kept in place as an archive for an indefinite period. Please visit the new location to get the latest Mid-Atlantic arts coverage.
View the Artsmash blog
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