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July 12, 2011

Summer concert options: Soprano and lute, bevy of bassoons, Plumeri and Willis

As the heat continues its grip, don't overlook opportunities to find comfort at various indoor musical oases -- if you can get there without wilting. Here are some classical and jazz examples on the horizon:

The silvery-voiced soprano Ah Young Hong joins lutenist Kevin Payne at 7:30 p.m. on Wednesday at An die Musik for a program called "Love, Death, and Betrayal."

So, OK, maybe that's not necessarily the most summery, drinks-with-umbrellas title you could imagine, but it does promise some exceedingly eloquent and subtle music.

In addition to works by Monteverdi and John Dowland, the two Peabody-trained artists (Hong went on to join the faculty there) will offer pieces by some less well-known composers from the 16th-17th centuries, including Barbara Strozzi, a rare example of a woman who succeeded in what was very much a man's world.

For a completely different sound, how about a bunch of bassoons? Sunday marks the start of ...

the first Peabody Bassoon Week, a program for intermediate and advanced high schoolers and college undergrads that provides intensive study and coaching.

To kick things off, there will be a free public concert at 5 p.m. Sunday in Peabody's Griswold Hall featuring Peabody faculty artist Phillip Kolker, who retired as Baltimore Symphony last year after nearly four decades of distinguished work as principal bassoonist.

He will be joined in Sunday's bassoon bash by Robert Sirois, Lynn Monciliovich and Anna Claire Ayoub, with Marc Irwin providing support at the piano.

Their program offers music of Telemann, Mozart, Eugene Bozza and Alec Wilder. (Students participating in Bassoon Week will give a concert at 7 p.m. July 22, also in Griswold Hall.)

Back at An die Musik on Sunday, the beat will switch to jazz. It's an opportunity to catch some major jazz artists.

Terry Plumeri, whose connection to our area includes a stint directing the Port City Jazz Ensemble in the late 1970s and playing in the National Symphony, has enjoyed a multiple career -- bassist, composer, conductor.

On the classical side, his credits include conducting and recording with the Moscow Philharmonic, including Tchaikovsky symphonies and one of Plumeri's own large-scale orchestral piece, "The Pride of Baltimore" (in the golden era when the Sun still had foreign bureaus, one of our correspondents covered the premiere in Moscow in 1994).

Plumeri is probably best known for his bass work, especially his bowed solos. He has performed with any number of notable artists, from Cannonball Adderley and Quincy Jones to Frank Sinatra and Roberta Flack (his playing can be heard on her "Killing Me Softly" album).

Pianist Larry Willis, who will be joining Plumeri, has worked with an equally stellar roster of jazz artists -- Dizzy Gillespie, Stan Getz and Carmen McRae, to name a few -- during a career that started in the 1960s. His artistry is documented on hundreds of records.

Willis and Plumeri will be joined by Billy Williams, a drummer who, only in his 20s, has been making some serious waves in the jazz world.

There will be two shows at An die Musik, 5 and 7 p.m. Sunday.

FILE ART

Posted by Tim Smith at 10:45 AM | | Comments (0)
Categories: Clef Notes
        

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About Tim Smith
Born and raised in Washington, D.C., I couldn't help but develop a keen interest in politics, but music, theater and visual art also proved great attractions. Music became my main focus after high school. I thought about being a cocktail pianist, but I hated taking requests, so I studied music history instead, earning a B.A. in that field from Eisenhower College (Seneca Falls, N.Y.) and an M.A. from Occidental College (Los Angeles). I then landed in journalism. After freelancing for the Washington Post and others, I was classical music critic for the Sun-Sentinel in South Florida, where I also contributed to NPR. I've written for the New York Times, BBC Music Magazine and other publications, and I'm a longtime contributor to Opera News. My book, The NPR Curious Listener's Guide to Classical Music (Perigee, 2002), can be found on the most discerning remainder racks.

I joined the Baltimore Sun as classical music critic in 2000 and, in 2009, also became theater critic, giving me the opportunity to annoy a whole new audience. In 2010, my original Clef Notes blog expanded to encompass a theatrical component -- how could I resist calling it Drama Queens? I hope you'll find both sides of this blog coin worth exploring and reacting to; your own comments are always welcome and valued (well, most of them, at least).

Think of this as your open-all-hours, cyber green room, where there's always a performer or performance to discuss, some news to digest, or maybe just a little good gossip to share.
Note: Tim Smith now writes about the fine arts at baltimoresun.com/artsmash. This blog will be kept in place as an archive for an indefinite period. Please visit the new location to get the latest Mid-Atlantic arts coverage.
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