Born and raised in Washington, D.C., I couldn't help but develop a keen interest in politics, but music, theater and visual art also proved great attractions. Music became my main focus after high school. I thought about being a cocktail pianist, but I hated taking requests, so I studied music history instead, earning a B.A. in that field from Eisenhower College (Seneca Falls, N.Y.) and an M.A. from Occidental College (Los Angeles). I then landed in journalism. After freelancing for the Washington Post and others, I was classical music critic for the Sun-Sentinel in South Florida, where I also contributed to NPR. I've written for the New York Times, BBC Music Magazine and other publications, and I'm a longtime contributor to Opera News. My book, The NPR Curious Listener's Guide to Classical Music (Perigee, 2002), can be found on the most discerning remainder racks.
I joined the Baltimore Sun as classical music critic in 2000 and, in 2009, also became theater critic, giving me the opportunity to annoy a whole new audience. In 2010, my original Clef Notes blog expanded to encompass a theatrical component -- how could I resist calling it Drama Queens? I hope you'll find both sides of this blog coin worth exploring and reacting to; your own comments are always welcome and valued (well, most of them, at least).
Think of this as your open-all-hours, cyber green room, where there's always a performer or performance to discuss, some news to digest, or maybe just a little good gossip to share.
Note: Tim Smith now writes about the fine arts at
baltimoresun.com/artsmash. This blog will be kept in place as an archive for an indefinite period. Please visit the new location to get the latest Mid-Atlantic arts coverage.
View the Artsmash blog
Comments
This is a clear victory for equality of the sexes! (And it's taken bloody long enough to occur...)
I recall the story of Abbie Conant:
http://www.iawm.org/articles_html/buzzarte_conant.html
I had all of the respect in the world for Sergiu Celibidache as a conductor (especially of Bruckner) until I read about this particular bit of extreme foolishness and small-mindedness a few years ago. Now, while I still respect his legacy as a conductor (certainly a visionary in many aspects, even if one doesn't agree with the results), I cannot help but think of Conant's story and be utterly baffled. He came from a different generation (and culture) with different standards, I guess, so maybe I shouldn't judge too harshly...
Bravo for Albena Danailova!
Posted by: Doug Halfen | March 22, 2010 1:13 PM
Actually, you may have seen Albena Danailova seating next to Rainer Küchl (the first concertmaster) in the 2009 New Year's concert - the one conducted by Barenboim. Here are two links to youTube videos:
Polka "So ängstlich sind wir nicht!":
http://www.youtube.com/watch?v=GyOOUt6ScyE&feature=related
And the Radetzky Marsch:
http://www.youtube.com/watch?v=wh1p5tEd2UE
As for Sergiu Celibidache, well, there is the eternal story of conflict between the genius musician and the flawed human being.
Thanks for the video links. TIM
Posted by: Don Ciccio | March 22, 2010 4:38 PM