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March 11, 2010

Maryland Opera Studio in training for premiere of "Shadowboxer," about legendary Joe Louis

A shoutout to the communications office of the University of Maryland's Clarice Smith Performing Arts Center for one of the most imaginative press packets I've seen yet, this one drawing attention to next month's Maryland Opera Studio premiere of "Shadowboxer," a work about the legendary Joe Louis by composer Frank Proto and librettist John Chenault.

Inside an intriguing package that came in the mail was a miniature red boxing glove (alas, not quite big enough for me to threaten annoying editors with), as well as

a pack of snazzy, square-shaped, well-illustrated sheets of thick paper, each devoted to an element of the project.

That got my attention, and so did a dedicated Web site that provides a sterling example of how to promote an arts product. You'll find video, music clips, photos, behind-the-scenes info, background material on Louis (audio, video, print) -- a very with-it way to entice folks into a new operatic experience. Check it out.

Posted by Tim Smith at 1:54 PM | | Comments (1)
        

Comments

"legendary Joe Lewis." Is this a case of fame being sadly fleeting or did you mean someone other than Joe Louis?

I've got to get more sleep. Thanks for the catch. I've made the changes. TIM

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About Tim Smith
I was born in Washington, D.C., and grew up there. Initial thoughts of becoming a cocktail pianist faded when I realized I hated taking requests. I decided to study music history instead, and got a B. A. in that field from Eisenhower College in Seneca Falls, New York, and an M.A. from Occidental College in Los Angeles. After free-lance gigs for the Washington Star and the Washington Post, I worked as classical music critic for the South Florida Sun-Sentinel during the 1980s and '90s, a period when I also ventured into radio, contributing to NPR and hosting a weekly show on a West Palm Beach station. Since April 2000, I've been classical music critic at the Baltimore Sun. Over the years, I've written occasional articles for the New York Times, BBC Music Magazine and other publications, and I'm a longtime, regular contributor to Opera News and the U.K. magazine Opera. You may still be able to find on the remainder racks my one and only book, The NPR Curious Listener's Guide to Classical Music (Perigee, 2002).
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