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October 15, 2009

Center Stage celebrates the musical language of Oscar Wilde

For those of you craving a break from my musical ramblings, I thought I should, immodestly, direct you to my review in today's paper of "The Importance of Being Earnest," Center Stage's season-opener.

One of the production's many pleasures is simply the opportunity to revel in the language of Oscar Wilde, as melodious and witty as a Haydn symphony.

Speaking of Wilde and music, there is a musical of his comic masterpiece from 1960 titled "Earnest in Love." Maybe it's ripe for revival here. It was, apparently, a hit in a version produced four years ago in Japan, performed by an all-female cast (don't ask me why). Here's a taste of that staging, "A Handbag is Not a Proper Mother," sung by Lady Bracknell when she discovers that Mr. Worthing was "born or, at any rate, bred in a handbag;" and a duet for Jack and Algernon, during the muffin scene:

Posted by Tim Smith at 9:27 AM | | Comments (1)
        

Comments

I never thought of it before, but Wilde's work definitely lends itself to music, and I wouldn't mind seeing an American production of that musical.

Thanks for commenting. I must say I'm intrigued about that musical. Part of me thinks it couldn't possibly work -- interrupting the flow of Wilde's words -- but another part suspects it would still be kind of fun. TIM

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About Tim Smith
I was born in Washington, D.C., and grew up there. Initial thoughts of becoming a cocktail pianist faded when I realized I hated taking requests. I decided to study music history instead, and got a B. A. in that field from Eisenhower College in Seneca Falls, New York, and an M.A. from Occidental College in Los Angeles. After free-lance gigs for the Washington Star and the Washington Post, I worked as classical music critic for the South Florida Sun-Sentinel during the 1980s and '90s, a period when I also ventured into radio, contributing to NPR and hosting a weekly show on a West Palm Beach station. Since April 2000, I've been classical music critic at the Baltimore Sun. Over the years, I've written occasional articles for the New York Times, BBC Music Magazine and other publications, and I'm a longtime, regular contributor to Opera News and the U.K. magazine Opera. You may still be able to find on the remainder racks my one and only book, The NPR Curious Listener's Guide to Classical Music (Perigee, 2002).
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