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October 30, 2009

Baltimore Symphony soars with conductor Robert Spano

Not long after I arrived in Baltimore in 2000 (you thought you'd been suffering from me for a lot longer than nine years, didn't you?), I started asking why certain music and certain musicians didn't seem to turn up at the Baltimore Symphony Orchestra. I often got shrugs or vague answers from some of the folks who were running the show over there at the time.

One name I remember asking about was Robert Spano, the conductor who had hit the radar big-time in New York for his adventurous programming as music director of the Brooklyn Philharmonic and who was tapped by the Atlanta Symphony in 2001. It seemed to me back then that Baltimore should be hearing what the fuss was all about. I'm happy to report that we have that opportunity this week. (UPDATE: Just learned that Spano first led the BSO out at Oregon Ridge in 1991 and returned in 1999 to conduct a program at Meyerhoff. I'm surprised it took a decade before he was got back.) 

Spano is here leading

a colorful program that surrounds a major contemporary work -- the Violin Concerto by John Adams -- with two war horses, Rimsky-Korsakov's "Scheherazade" and Stravinsky's "Firebird" Suite. If you know what's good for you, you won't miss it.

Thursday night's performance at the Meyerhoff found Spano generating music-making of exceptional beauty and power in those two standard scores (concertmaster Jonathan Carney outdid himself in the "Scheherazade" solos), and providing supple support for brilliant violinist Leila Josefowicz in the concerto. I'll be writing a more detailed and maybe even cogent review later on today, but I wanted to get the word out early.

The full program repeats Friday night; the Adams and Stravinsky pieces will be played at the Casual Concert Saturday morning; "Scheherazade" is the focus of Saturday night's Off-the-Cuff concert.

Posted by Tim Smith at 7:31 AM | | Comments (3)
        

Comments

Hmm.

I'm a huge Spano fan, but I felt the concert, particularly the Firebird Suite, was uninspired.

Although, the Adams piece was performed quite well, I thought. Ms. Josefowicz was fabulous (her dress was bizarre, but she pulled that off well, too!).

Gee, I don't remember her pulling her dress off. TS

I attended the show Thursday night, and was not disappointed. The Orchestra played beautifully under Spano's clear and energetic direction. Numerous soloistic passages for the section leaders were nailed both in the Rimsky-Korsakov and the Stravinsky, and I agree Jonathan Carney and his Mercur-Avery led the way. All this plus Miss Josefewicz's dress. Far from uninspired in my opinion. Bravo!

Hi Tim! Good to see you again a month ago. I just thought I'd note that I agree with you on this one:

http://dmvclassical.wordpress.com/2009/10/31/color-my-world-baltimore-symphony-at-meyerhoff-october-29-2009/

Thanks. And this reminds me to get you on my blog roll, which I meant to do long ago. TIM

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About Tim Smith
I was born in Washington, D.C., and grew up there. Initial thoughts of becoming a cocktail pianist faded when I realized I hated taking requests. I decided to study music history instead, and got a B. A. in that field from Eisenhower College in Seneca Falls, New York, and an M.A. from Occidental College in Los Angeles. After free-lance gigs for the Washington Star and the Washington Post, I worked as classical music critic for the South Florida Sun-Sentinel during the 1980s and '90s, a period when I also ventured into radio, contributing to NPR and hosting a weekly show on a West Palm Beach station. Since April 2000, I've been classical music critic at the Baltimore Sun. Over the years, I've written occasional articles for the New York Times, BBC Music Magazine and other publications, and I'm a longtime, regular contributor to Opera News and the U.K. magazine Opera. You may still be able to find on the remainder racks my one and only book, The NPR Curious Listener's Guide to Classical Music (Perigee, 2002).
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