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September 26, 2009

Remembering elegant Spanish pianist Alicia de Larrocha

Physically diminutive but musically grand, Alicia de Larrocha maintained a standard of pianistic elegance that never faded, after more than seven decades before the public. She died on Friday in Barcelona at the age of 86, leaving behind an extensive recorded legacy that preserves her artistry. (Allan Kozinn has, as usual, written an excellent obit in the Times.)

Where Ms. de Larrocha particularly excelled was in Mozart, though she covered a lot of the keyboard repertoire and played it with distinction. I didn't get to hear her live nearly often enough, but I recall well the effect she made -- the technical poise, the refined taste in her phrasing, the beauty of tone, and the total lack of any self-conscious display. She was all music.

Here are some examples of the special art of Alicia de Larrocha:

Posted by Tim Smith at 8:13 AM | | Comments (3)
        

Comments

Oh, this is just _too_ ironic: I was literally _just_ listening (after a break of almost a year) to her (multiple) recordings of Albéniz' "Iberia" and Granados' "Goyescas" -- I have plenty of other worthy recordings of both sets, but Alicia was my first exposure to the works, and, thus, she was always my "home base" in this music, despite criticisms of her technical limitations (which certainly did _not_ interfere with my enjoyment of her take on the music -- one could complain about this just as meaninglessly as one could complain about Cortot or Rubinstein in Chopin!).

The word "poise" certainly rings true for this great artist, who played with such beauty and a superlative command of the instrument. Just last week I was listening to some of her Bach -- her recording of the Italian Concerto (originally on Decca in 1971) is one that I have enjoyed for years.

Back in the early 1980s, I coordinated the International Piano Festival and Competition (later known as the William Kapell Competition). We had the good fortune to have Alicia de Larrocha among us for one of those summer weeks as an adjudicator and performer, and I will never forget the pleasure of standing nearby on stage as she practiced prior to her concert -- a special treat for a young pianist like me -- not to mention the performance itself. She was an extraordinary musician.

Thanks so much for sharing your memories of this wonderful artist. TIM

Alicia was and will always be an inpiration to me. I used to listen to her playing Albeniz over and over. I saw her in Boston Symphony Hall. My regret is that I did not get a chance to shake her hand and to tell her how much she meant to me. I just did a concert in MA and in FL and included some Albeniz in her honor. This way we keep her alive! Thanks Alicia for inspiring me to play Albeniz!

And thanks for adding your tribute to a great artist. TIM

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About Tim Smith
I was born in Washington, D.C., and grew up there. Initial thoughts of becoming a cocktail pianist faded when I realized I hated taking requests. I decided to study music history instead, and got a B. A. in that field from Eisenhower College in Seneca Falls, New York, and an M.A. from Occidental College in Los Angeles. After free-lance gigs for the Washington Star and the Washington Post, I worked as classical music critic for the South Florida Sun-Sentinel during the 1980s and '90s, a period when I also ventured into radio, contributing to NPR and hosting a weekly show on a West Palm Beach station. Since April 2000, I've been classical music critic at the Baltimore Sun. Over the years, I've written occasional articles for the New York Times, BBC Music Magazine and other publications, and I'm a longtime, regular contributor to Opera News and the U.K. magazine Opera. You may still be able to find on the remainder racks my one and only book, The NPR Curious Listener's Guide to Classical Music (Perigee, 2002).
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