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July 28, 2009

Music we've been missing (Part 3): the Latin connection

This week's music-we've-been-missing installment continues in an instrumental vein and looks at an area every North American orchestra ought to be exploring a lot more often -- Latin American repertoire.

The Baltimore Symphony, to pick the most obvious local example, needs to spread its wings much wider to embrace music from other parts of the hemisphere, digging into the sonic riches from Mexico, Venezuela and Brazil and more. This should be an easy stretch, technically and stylistically, and it sure would liven things up a great deal.

Where to start beefing up Latin music programming? An obvious candidate would be Heitor Villa-Lobos. Some items from his Bachianas brasileiras series turn up around here every now and then, but several more need attention. Then there is his Choro series, not to mention his symphonies and concertos. Alberto Ginastera deserves more recognition. A lesser known figure well worth checking out is Evencio Castellanos, whose Santa Cruz de Pacairigua is a strikingly colorful creation. But I think I'd begin a Latin exploration with ...

Carlos Chavez. His concertos would be cool, if you could find any soloists who know them. Otherwise, you can't go wrong with the Sinfonia india (Symphony No. 2), a great introduction to this much overlooked, but highly significant, composer. Here's a taste, with the Berlin Philharmonic led by Gustavo Dudamel:

 

 

Posted by Tim Smith at 5:31 AM | | Comments (7)
        

Comments

I would love to hear a live performance of Silvestre Revueltas' "Night of the Mayas" -- complete with conch shell obbligato! There's a whole galaxy of Latin American composers that deserves more circulation in the concert and recital halls.

Si, si. Revueltas. And that 'Sensemaya' is a knock-out. TIM

I would love to hear Ginastera's operas, but even recordings are not available. Some time ago Domingo was said to have recorded Don Rodrigo, anybody knows what happened to it?

BIS records has a stunning series of recordings with the Sao Paulo State Symphony Orchestra of composers who are not much known outside of Brazil, like Guarnieri. There are several really strong, impressive pieces to be found, the sound is wonderful and the orchestra plays beautifully. The trombone section includes a Baltimore native and School for the Arts alum, Darin Milling.

Funny how orchestras note that latin programs are selling lots of tickets these days but they still present the same old pieces on those programs.

Right you are. (Some orchestras even think they've done their duty by playing Copland's 'El Salon Mexico.') Thanks for the comments and the recommendation. TIM

The Brazilian composer Carlos Gomes wrote some operas that were quite popular in their day. Domingo recorded his Il Guarany a while back, but there are others such as Salvator Rosa (Siepi made a wonderful recording of the bass aria from this opera) and Lo Schiavo, an opera based on the liberation struggle of Brazilian slaves. One of his opera might be a nice change from yet another Butterfly!

Nice change, indeed. TIM

+1 for Revueltas -- both of the pieces mentioned have received performances in other cities during the past two seasons, including Philly and at _least _ two other places; coincidentally, Cinci's doing "Night of the Mayas" in October.

Here's a decent list from Janelle Gelfand, Tim's colleague at the Cinci Enquirer:

http://www.enquirer.com/editions/2002/08/07/tem_latin_composers.html

Thanks for the link. Janelle's list is a great reminder of what we've been missing locally. TIM

We heard Reveultas' La noche de los Mayos several seasons back, and it definitely rocked the house. No, it's not Beethoven, but then not everything needs to be.

I'd like to put in a plug for Alberto Ginastera on concert programs, particularly his Harp Concerto. It'd be great to hear that live, although I don't think I'll live that long. Part of the issue is that the European tradition of concert hall music does not seem as well ensconed in South America and Central America, hence the lack of works. Of course, they have their own rich traditions of folk music and popular music, so....

Dudamel has an all-Latin music CD (all Latin American composers except a brief encore). Exuberant. Marquez Danzon #2 is out of this world. The CD is called Fiesta, there's material about it on http://www2.deutschegrammophon.com/special/?ID=dudamel-fiesta

You can see him conducting the Danzon at http://www.youtube.com/watch?v=3vwZAkfLKK8

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About Tim Smith
Born and raised in Washington, D.C., I couldn't help but develop a keen interest in politics, but music, theater and visual art also proved great attractions. Music became my main focus after high school. I thought about being a cocktail pianist, but I hated taking requests, so I studied music history instead, earning a B.A. in that field from Eisenhower College (Seneca Falls, N.Y.) and an M.A. from Occidental College (Los Angeles). I then landed in journalism. After freelancing for the Washington Post and others, I was classical music critic for the Sun-Sentinel in South Florida, where I also contributed to NPR. I've written for the New York Times, BBC Music Magazine and other publications, and I'm a longtime contributor to Opera News. My book, The NPR Curious Listener's Guide to Classical Music (Perigee, 2002), can be found on the most discerning remainder racks.

I joined the Baltimore Sun as classical music critic in 2000 and, in 2009, also became theater critic, giving me the opportunity to annoy a whole new audience. In 2010, my original Clef Notes blog expanded to encompass a theatrical component -- how could I resist calling it Drama Queens? I hope you'll find both sides of this blog coin worth exploring and reacting to; your own comments are always welcome and valued (well, most of them, at least).

Think of this as your open-all-hours, cyber green room, where there's always a performer or performance to discuss, some news to digest, or maybe just a little good gossip to share.
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