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July 8, 2009

Michael Jackson reported to have been planning classical music recording

UPDATE: Reached David Michael Frank after posting this. He described the material that Michael Jackson asked him to orchestrate as closer to "pretty film score music" than anything fully classical. See extensive interview with Frank here

Michael JacksonHere's an unexpected (at least to me) bit of news about the late, much-lamented Michael Jackson.

In a recent Guardian article, David Michael Frank, a Baltimore-born composer who studied at Peabody and has been based in California since the late 1970s, says that Jackson was interested in writing classical music and had started on some pieces. Frank, who has composed for several films and TV shows, was recently asked to help with the orchestration.

An intriguing story. Perhaps Jackson ... 

felt the same sort of urge to spread his musical wings into the world of classical, or concert, music that has inspired Paul McCartney, Billy Joel and Elvis Costello (to name a few) over the years.

Pop artists don't necessarily succeed in a different genre; classical artists aren't necessarily able to do pop, either. But it's always interesting to see someone try to switch gears, to achieve something substantive in a field where they don't usually roam.

A pity that Jackson's apparent dream could not be fulfilled. Maybe enough material will turn up in his estate to generate a recording of what he had in mind.  

BALTIMORE SUN FILE PHOTO

Posted by Tim Smith at 5:11 PM | | Comments (4)
        

Comments

This is an interesting (but ultimately inconsequential) story. The fact that he would have arrived at "classical" composition late in life may have given him some potential, but I highly doubt it: his strengths were clearly singing and dancing to his own songwriting. While he had some staggeringly-high points in his recording & performing output, his work and life were otherwise riddled with enough weirdness (or allegations thereof) to practically relegate him to the curio cabinet. He was an extraordinary, tragic genius-personality (his upbringing clearly did substantial psychological damage), and I'm sorry to say that he never reached what could have been his full potential -- artistically, at least!

While I can admire and enjoy his work (I was never a "fan," but his best stuff paralleled my formative years), I would have to stop short of saying that it is "lovable." I think a great deal of his public appeal right now lies in sentimental glances backward.

It is a very great pity! I am sure it would have been beautiful with his high, flute-like voice. Let's hope they make a recording of the memorial service. Although many of the singers were so upset they coul hardly get adequate breath underneath of their tones...it was all beautiful and sincere and worth having a copy of...

Whatever he was planning would be of importance. This human being was a part of the fabric of people's lives from 1968-2009 ALL OVER THE WORLD! To say that anything he was involved in would be inconsequential...? I cannot relate to such thinking. Open your heart man!

I've heard several of his interviews and did you know that he listened primarily to Classical music in his home? That and Janet, which is too cute. He described being inspired by Tchaikovsky when writing Thriller, particularly using the Nutcracker Suite an an example bc each piece within it was a "killer," there was no placeholder album-fluff song like most pop artists do in their albums. He often referred to classical composers when decribing his influences and inspirations and composing style. I've read that a lot of the tracks for this classical work he had in mind were actually already recorded by him as demos using just his voice as the instruments as a rough draft to get the sounds out there as he conceived them. I bet it's brilliant. Most of the percussion starting with Thriller and on through the rest was ripped almost exactly as he created it using beat box rough draft recording like this. Such a loss. RIP, MJ.

Thanks for your comments. TIM

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About Tim Smith
I was born in Washington, D.C., and grew up there. Initial thoughts of becoming a cocktail pianist faded when I realized I hated taking requests. I decided to study music history instead, and got a B. A. in that field from Eisenhower College in Seneca Falls, New York, and an M.A. from Occidental College in Los Angeles. After free-lance gigs for the Washington Star and the Washington Post, I worked as classical music critic for the South Florida Sun-Sentinel during the 1980s and '90s, a period when I also ventured into radio, contributing to NPR and hosting a weekly show on a West Palm Beach station. Since April 2000, I've been classical music critic at the Baltimore Sun. Over the years, I've written occasional articles for the New York Times, BBC Music Magazine and other publications, and I'm a longtime, regular contributor to Opera News and the U.K. magazine Opera. You may still be able to find on the remainder racks my one and only book, The NPR Curious Listener's Guide to Classical Music (Perigee, 2002).
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