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July 22, 2009

Common sense prevails: L.A. County board of supervisors vote support for Wagner fest

You may recall the bit of controversy stirred up by a Los Angeles county supervisor who wanted Los Angeles Opera to downplay the emphasis on Wagner at next spring's 'Ring' festival, because of the composer's anti-Semitic views. (I enjoyed the lively discussion of folks who posted on my blog entry about this, except for the slimy Holocaust-deniers who started chiming in, perhaps while taking a break from denying President Obama's US birth certificate or the landing on the moon 40 years ago.)

Anyway, here's some welcome news:

LOS ANGELES (AP) — County supervisors have voted to ...

support the Los Angeles Opera's planned festival next year celebrating Richard Wagner's epic "Ring" cycle despite one supervisor's protest over the German composer's anti-Semitic views.

The Board of Supervisors voted 3-1 Tuesday in support of a motion by Supervisor Zev Yaroslavsky replacing a motion by Supervisor Mike Antonovich. Antonovich wanted to add pieces by other composers to lessen the focus on Wagner because of his anti-Semitic writings. Antonovich spokesman Tony Bell says the supervisor is disappointed at Tuesday's outcome, but intends to work with the opera company to make improvements in the next year.

The opera says the festival, which will spotlight Wagner's four-part cycle, will include seminars and discussions to address Wagner's anti-Semitism.

Posted by Tim Smith at 10:09 AM | | Comments (1)
        

Comments

YAY!!! Good for them. And they'll do what they can to provide the "revisionist" history of the great composer, as they should. A complete picture is about the good _and_ the bad, "warts and all." The "good" part of Wagner's achievement is awfully _great_, really, so here's to recognizing (and celebrating) that greatness!

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About Tim Smith
Born and raised in Washington, D.C., I couldn't help but develop a keen interest in politics, but music, theater and visual art also proved great attractions. Music became my main focus after high school. I thought about being a cocktail pianist, but I hated taking requests, so I studied music history instead, earning a B.A. in that field from Eisenhower College (Seneca Falls, N.Y.) and an M.A. from Occidental College (Los Angeles). I then landed in journalism. After freelancing for the Washington Post and others, I was classical music critic for the Sun-Sentinel in South Florida, where I also contributed to NPR. I've written for the New York Times, BBC Music Magazine and other publications, and I'm a longtime contributor to Opera News. My book, The NPR Curious Listener's Guide to Classical Music (Perigee, 2002), can be found on the most discerning remainder racks.

I joined the Baltimore Sun as classical music critic in 2000 and, in 2009, also became theater critic, giving me the opportunity to annoy a whole new audience. In 2010, my original Clef Notes blog expanded to encompass a theatrical component -- how could I resist calling it Drama Queens? I hope you'll find both sides of this blog coin worth exploring and reacting to; your own comments are always welcome and valued (well, most of them, at least).

Think of this as your open-all-hours, cyber green room, where there's always a performer or performance to discuss, some news to digest, or maybe just a little good gossip to share.
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