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July 4, 2009

Celebrating the Fourth of July with the incomparable voice of Leontyne Price

Happy Fourth of July.

For a fabulous blast of vocal patriotism, you can't beat this a cappella performance of "God Bless America" by indelible soprano Leontyne Price, from a concert appearance in 2001. She has always been one of my favorite artists -- a singer with an extraordinarily rich tone and deep expressive power, a woman of ...

great dignity and integrity.  I didn't get to hear her in operas before her retirement, but in several concerts that I'll never forget -- not to mention her thrilling a cappella ''America the Beautiful" last fall in Washington, when she was honored at the NEA Opera Awards. At 81, she still sounded supreme. Here she is, filmed in her 70s, delivering Irving Berlin's stirring anthem. Hearing Miss Price her gives me all the fireworks I need for this day.

 

Posted by Tim Smith at 7:39 AM | | Comments (2)
        

Comments

a great 4th of July gift...amazing.Thanks Tim.
Doreen

You're most welcome. TIM

Our country's natural treasures not only include mountains, prairies, and oceans white with foam. Leontyne Price must surely be included as one of our most beloved jewels.

Thank you for sharing this.

Couldn't agree more. TIM

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About Tim Smith
Born and raised in Washington, D.C., I couldn't help but develop a keen interest in politics, but music, theater and visual art also proved great attractions. Music became my main focus after high school. I thought about being a cocktail pianist, but I hated taking requests, so I studied music history instead, earning a B.A. in that field from Eisenhower College (Seneca Falls, N.Y.) and an M.A. from Occidental College (Los Angeles). I then landed in journalism. After freelancing for the Washington Post and others, I was classical music critic for the Sun-Sentinel in South Florida, where I also contributed to NPR. I've written for the New York Times, BBC Music Magazine and other publications, and I'm a longtime contributor to Opera News. My book, The NPR Curious Listener's Guide to Classical Music (Perigee, 2002), can be found on the most discerning remainder racks.

I joined the Baltimore Sun as classical music critic in 2000 and, in 2009, also became theater critic, giving me the opportunity to annoy a whole new audience. In 2010, my original Clef Notes blog expanded to encompass a theatrical component -- how could I resist calling it Drama Queens? I hope you'll find both sides of this blog coin worth exploring and reacting to; your own comments are always welcome and valued (well, most of them, at least).

Think of this as your open-all-hours, cyber green room, where there's always a performer or performance to discuss, some news to digest, or maybe just a little good gossip to share.
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