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July 14, 2009

A little more on the Rufus Wainwright opera

La Cieca, the indomitable voice of the entertaining, ever-so-bitchy blog Parterre Box, makes an astute comment about Prima Donna, the first opera by moody-voiced singer/songwriter Rufus Wainwright:

A piece like 'Prima Donna' is exactly the sort of thing (or at least one sort of thing) that the New York City Opera ought to be offering. It would sell like crazy, foster the most intense debate both online and in the meat universe, and just generally be scandalous.

That the leading role seems to have ...

'Lauren Flanigan' written on it in letters of fire doesn’t hurt either. Lauren as an insane camp opera singer? That’s what Ethan Mordden calls 'Gable as Rhett casting.'

Given how little (so far) outright bashing from the press Prima Donna has generated, it seems that the piece may well have legs and could certainly be a box office boon in several places. Hmmm. Maybe one of the existing or planned operatic troupes in Baltimore will take the risk. We could use some "intense debate" and scandal.

Posted by Tim Smith at 6:15 PM | | Comments (0)
        

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About Tim Smith
I was born in Washington, D.C., and grew up there. Initial thoughts of becoming a cocktail pianist faded when I realized I hated taking requests. I decided to study music history instead, and got a B. A. in that field from Eisenhower College in Seneca Falls, New York, and an M.A. from Occidental College in Los Angeles. After free-lance gigs for the Washington Star and the Washington Post, I worked as classical music critic for the South Florida Sun-Sentinel during the 1980s and '90s, a period when I also ventured into radio, contributing to NPR and hosting a weekly show on a West Palm Beach station. Since April 2000, I've been classical music critic at the Baltimore Sun. Over the years, I've written occasional articles for the New York Times, BBC Music Magazine and other publications, and I'm a longtime, regular contributor to Opera News and the U.K. magazine Opera. You may still be able to find on the remainder racks my one and only book, The NPR Curious Listener's Guide to Classical Music (Perigee, 2002).
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