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July 15, 2009

1934 film 'The Firebird' provides good laugh to start the day

As overly devoted readers of this blog will have learned, Turner Classic Movies plays practically round the clock at our house on a little set in the kitchen. We don't turn that particular TV off (the button disappeared into the set years ago and it's a major pain to get the thing rebooted if it ever does lose power), and we keep it tuned to TCM most of the time.

Overnight, it's in mute position and part of the fun for me when I crawl into the room for my early morning tea is to see what's playing and, if it's unfamiliar, try to judge whether it's worth turning on the sound. Something from the '30s was playing today and, although it looked very stagey, something made me go for it. 

A young, obviously upper crust woman was dancing in a big room of some mansion to music on the Victrola, which, as I un-muted the TV, turned out to be ...

Stravinsky's Firebird. So far so cool. But it gets better.

Her mother walked in, immediately stopped the record and said something to the effect of: "It's a good thing your father didn't hear this. Don't listen to this again. We believe that classical music is enough for you." Hilarious.

I can't wait to see the whole 1934 movie, which, as I discovered, is titled The Firebird and directed by William Dieterle. It's a murder mystery involving a guy who, I gather, lures women to his pad with the promise of playing that daring Stravinsky's ballet score for them. What a pick-up line. It sure beats "Do you want to see my etchings?" Now I'm dying to find out if the composer approved or loathed the use of his music in this ever so tawdry manner.   

Posted by Tim Smith at 9:38 AM | | Comments (1)
        

Comments

I thought your readers might like to see the trailer of "The Firebird."

http://www.tcm.com/mediaroom/index/?cid=144875

It's too, too melodramatic! And, I mean that in a most kind and caring way, of course.

Thanks awfully. TIM

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About Tim Smith
Born and raised in Washington, D.C., I couldn't help but develop a keen interest in politics, but music, theater and visual art also proved great attractions. Music became my main focus after high school. I thought about being a cocktail pianist, but I hated taking requests, so I studied music history instead, earning a B.A. in that field from Eisenhower College (Seneca Falls, N.Y.) and an M.A. from Occidental College (Los Angeles). I then landed in journalism. After freelancing for the Washington Post and others, I was classical music critic for the Sun-Sentinel in South Florida, where I also contributed to NPR. I've written for the New York Times, BBC Music Magazine and other publications, and I'm a longtime contributor to Opera News. My book, The NPR Curious Listener's Guide to Classical Music (Perigee, 2002), can be found on the most discerning remainder racks.

I joined the Baltimore Sun as classical music critic in 2000 and, in 2009, also became theater critic, giving me the opportunity to annoy a whole new audience. In 2010, my original Clef Notes blog expanded to encompass a theatrical component -- how could I resist calling it Drama Queens? I hope you'll find both sides of this blog coin worth exploring and reacting to; your own comments are always welcome and valued (well, most of them, at least).

Think of this as your open-all-hours, cyber green room, where there's always a performer or performance to discuss, some news to digest, or maybe just a little good gossip to share.
Note: Tim Smith now writes about the fine arts at baltimoresun.com/artsmash. This blog will be kept in place as an archive for an indefinite period. Please visit the new location to get the latest Mid-Atlantic arts coverage.
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