Born and raised in Washington, D.C., I couldn't help but develop a keen interest in politics, but music, theater and visual art also proved great attractions. Music became my main focus after high school. I thought about being a cocktail pianist, but I hated taking requests, so I studied music history instead, earning a B.A. in that field from Eisenhower College (Seneca Falls, N.Y.) and an M.A. from Occidental College (Los Angeles). I then landed in journalism. After freelancing for the Washington Post and others, I was classical music critic for the Sun-Sentinel in South Florida, where I also contributed to NPR. I've written for the New York Times, BBC Music Magazine and other publications, and I'm a longtime contributor to Opera News. My book, The NPR Curious Listener's Guide to Classical Music (Perigee, 2002), can be found on the most discerning remainder racks.
I joined the Baltimore Sun as classical music critic in 2000 and, in 2009, also became theater critic, giving me the opportunity to annoy a whole new audience. In 2010, my original Clef Notes blog expanded to encompass a theatrical component -- how could I resist calling it Drama Queens? I hope you'll find both sides of this blog coin worth exploring and reacting to; your own comments are always welcome and valued (well, most of them, at least).
Think of this as your open-all-hours, cyber green room, where there's always a performer or performance to discuss, some news to digest, or maybe just a little good gossip to share.
Note: Tim Smith now writes about the fine arts at
baltimoresun.com/artsmash. This blog will be kept in place as an archive for an indefinite period. Please visit the new location to get the latest Mid-Atlantic arts coverage.
View the Artsmash blog
Comments
As an opera lover and subscriber, I was devastated when the Baltimore Opera Company went bankrupt was thrilled to hear that Ms. Fleming will be performing at the Lyric Opera House in Baltimore on Dec. 17. However, ticket prices starting at $424 and ending at $60l per ticket knock the chances of me going to listen to her right out of the park. No wonder opera companies fail; those of us with modest incomes cannot afford such an extravagant price tag. I am heartsick that I will not be able to experience her astounding talent.
Not sure where you got those figures, but, as I reported, the Lyric's press release says $30 to $125. TIM
Posted by: Constance Highfield | July 22, 2009 10:38 AM
Gerald Martin Moore
Posted by: Anonymous | October 13, 2009 8:47 PM