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May 21, 2009

Baltimore School for the Arts alumna Stefania Dovhan makes Spoleto Festival debut in rarely staged opera

Stefania DovhanIn the local-girl-makes-good department, note the case of Stefania Dovhan, a Ukraine-born soprano who received some of her early training at the Baltimore School for the Arts and the University of Maryland and who won the 2000 Rosa Ponselle Competition. Dovhan makes her debut at the Spoleto Festival USA in Charleston on Friday. Not just any old debut, either, but in the title role of Charpentier's Louise, an opera all too rarely staged on these shores.

I remember Dovhan's recital at UM in 2001, which easily revealed her potential. She went on to more study in Europe; she has been based in Germany for the past few years. (Audio/video links are on her Web site.)

She ought to be a natural, physically and vocally, to portray Louise. This opera from 1900 is primarily known for the radiant soprano aria Depuis le jour, a test for any lyric voice, but the whole work, a story of unconventional young love vs. conservative parents amid the rich tapestry of Paris, has quite a lot to recommend it. There will be be four performances of Louise between Friday and June 6.

Incidentally, among the many unfortunate effects of the demise of the Baltimore Opera is that ...

 

local audiences will not get a chance to hear Dovhan next season. She was to have made her homecoming as Pamina in the company's production of The Magic Flute. Perhaps another operatic organization will provide her an outlet in Baltimore before too long. 

Back to Spoleto for a moment. The Festival remains the country's most enticing and consistently rewarding arts festival, and the 2009 lineup offers numerous enticements. This year marks the final appearance of Charles Wadsworth as host of the popular daily chamber music series. He has decided to retire, at the age of 80, after an amazing 50 years with the festival. The place will never be quite the same without him. 

PHOTO BY SLAVKO MAJEVSKI COURTESY OF STEFANIADOVHAN.COM

Posted by Tim Smith at 11:42 AM | | Comments (0)
        

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About Tim Smith
I was born in Washington, D.C., and grew up there. Initial thoughts of becoming a cocktail pianist faded when I realized I hated taking requests. I decided to study music history instead, and got a B. A. in that field from Eisenhower College in Seneca Falls, New York, and an M.A. from Occidental College in Los Angeles. After free-lance gigs for the Washington Star and the Washington Post, I worked as classical music critic for the South Florida Sun-Sentinel during the 1980s and '90s, a period when I also ventured into radio, contributing to NPR and hosting a weekly show on a West Palm Beach station. Since April 2000, I've been classical music critic at the Baltimore Sun. Over the years, I've written occasional articles for the New York Times, BBC Music Magazine and other publications, and I'm a longtime, regular contributor to Opera News and the U.K. magazine Opera. You may still be able to find on the remainder racks my one and only book, The NPR Curious Listener's Guide to Classical Music (Perigee, 2002).
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