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April 21, 2009

Contest for condensed opera plots to return on Twitter, with grand prizes

Opera fans (or nerds, as the case may be) who are into Twittering can soon compete for cool prizes.

About a month ago, an avid Twitterer and freelance writer in Canada known as Miss Mussel in Twitter-town and Web-world (real name Marcia Adair), started a clever game playing off of the 140-character limit to Tweets: Describe an opera plot in 140 characters or less and win a prize. Actually 130 or less, since you have to include the hashtag #operaplot as part of the entry. Miss Mussell sprung for the inaugural prize money herself. The winning entry summed up La boheme thusly: Seamstress pals around with bohemians in a December-May affair. Receives muff as parting gift.

The contest is about to return, this time with some hefty support behind it. Between 9 a.m. EST April 27 and midnight EST Sunday May 3, anyone with a twitch to Twitter and a knack for operatic brevity can enter. The judge is no less than stellar soprano Danielle De Niese, who will choose three winners.

A whole bunch of opera companies in North America, the UK and Australia have joined in the fun, offering various prizes. In our area, Washington National Opera, the first company to jump in, is particularly generous, putting up a prize valued at about $1,000 that includes two tickets to Turandot (the production opens in mid-May) and two passes to the company's posh Opera Ball.

Click here for contest rules and FAQ.

Posted by Tim Smith at 10:41 AM | | Comments (0)
        

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About Tim Smith
I was born in Washington, D.C., and grew up there. Initial thoughts of becoming a cocktail pianist faded when I realized I hated taking requests. I decided to study music history instead, and got a B. A. in that field from Eisenhower College in Seneca Falls, New York, and an M.A. from Occidental College in Los Angeles. After free-lance gigs for the Washington Star and the Washington Post, I worked as classical music critic for the South Florida Sun-Sentinel during the 1980s and '90s, a period when I also ventured into radio, contributing to NPR and hosting a weekly show on a West Palm Beach station. Since April 2000, I've been classical music critic at the Baltimore Sun. Over the years, I've written occasional articles for the New York Times, BBC Music Magazine and other publications, and I'm a longtime, regular contributor to Opera News and the U.K. magazine Opera. You may still be able to find on the remainder racks my one and only book, The NPR Curious Listener's Guide to Classical Music (Perigee, 2002).
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