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April 30, 2009

Major pileup of worthy musical events through Sunday

Every time the Baltimore concert schedule gets over-crowded I become more convinced than ever that we need a master planning device to help organizations avoid the kind of pileup of events we're going to get Thursday through Sunday. Here are just a few of the things that ought to be worth a listen:

The BSO welcomes the ever-engaging Mario Venzago back to the podium for a program of Bruckner's Third and Beethoven's Piano Concerto No. 4 (with sublime pianist Nelson Friere). Two gifted BSO musicians, violinist Madeline Adkins and violist Karin Brown, perform works by Bach, Mozart, Hindemith, Martinu, and Handel-Halvorsen at An die Musik. Opera Vivente opens its production of Britten's comic gem Albert Herring, which director John Bowen describes neatly as a cross between The Vicar or Dibley and Keeping Up Appearances (we Brit com fans get a perfect image from that).

Speaking of Britten, his Missa Brevis will be featured in a program by the Concert Choir of the College of Notre Dame. Shriver Hall wraps up its season with a recital by two eminent musicians, flutist Emmanuel Pahud and harpsichordist Trevor Pinnock. The 200th anniversary of Haydn's death will be marked by two fine Baltimore ensembles, Pro Musica Rara and the Handel Choir, the latter performing the stirring Mass in Time of War. The Baltimore Classical Guitar Society presents the dynamic Los Angeles Guitar Quartet. The Bach Concert Series offers a performance of the profound B minor Mass. UMBC presents an updated staging of Purcell's Dido and Aeneas. The Canticle Singers will perform music of Poulenc, Fauré, Duruflé and Chen Yi.

And that's just some of what's out there in the next few days. I may resort to a throw of the dice to figure out where I'm going.

Posted by Tim Smith at 3:21 PM | | Comments (3)
        

Comments

Obviously, the BSO concert is the cream of the crop. I made a point of travelling to Indianapolis last year to hear Venzago lead the Bruckner 8th and was mightily impressed, even if it was the orchestra's first Bruckner endeavour and they weren't exactly perfect. He managed to get some surprisingly good playing from the strings (their biggest goof was pretty big, though: rushing the opening of the adagio, _both_ nights!), and the brass were astounding: powerful, but neither blatty nor brutal. Top honours went to the flutes and the prinicipal oboist; Indy's orchestra is _very_ lucky to have them!

Therefore, I'm dying to know how the BSO shapes up with this particular symphony. The 1889 is my least favourite version, being just a tad too polished and, er, "mutilated" when compared to the 1877 and (sprawling) 1873 versions. I will also miss the extended adagio and its quotations (the 1876 is my preferred version). I saw Herbert Blomstedt lead the 1873 in Philly, 2006, to a fantastic performance. Mario's enthusiasm, as well as a sure hand in Bruckner, should promise an engaging experience!

The Beethoven 4th is a major bonus, especially with Freire, whose recent Brahms piano-concerto recordings I enjoy very much. In fact, I probably would have enjoyed seeing him play the Brahms' 1st in this concert even more: the piece was not readily embraced by musicians or the public in Brahms' day, so it ranks as Brahms' "Bruckner 3rd" in a way. However, it's my personal favourite orchestral work by him. (I nicknamed the first movement "the Biblical epic," as it reminds me of Rózsa. ;^)

Thanks for the interesting report for the Midwest and your views on Bruckner, Brahms, at al.TIM

Another event worth attending is Columbia Pro Cantare's "Tribute to Paul Robeson" featuring acclaimed baritone Lester Lynch. Robert H. Cataliotti, professor in the Department of Humanities at Coppin State University in Baltimore, will give a free pre-concert lecture at 7 p.m. on Paul Robeson's life and accomplishments, and there is a reception after the concert. The concert is in Columbia's Jim Rouse Theater.

Thanks for the reminder. This worthy event is tonight. http://www.procantare.org/

Bach's greatest contribution to music is the is B Minor Mass. My recommendation for Sunday is to hear the Bach Concert Series perform it in Christ Lutheran Church, a glorious, resonant space. Concert's at 4 pm, so when it's over I can walk right over the Inner Harbor for dinner.

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About Tim Smith
I was born in Washington, D.C., and grew up there. Initial thoughts of becoming a cocktail pianist faded when I realized I hated taking requests. I decided to study music history instead, and got a B. A. in that field from Eisenhower College in Seneca Falls, New York, and an M.A. from Occidental College in Los Angeles. After free-lance gigs for the Washington Star and the Washington Post, I worked as classical music critic for the South Florida Sun-Sentinel during the 1980s and '90s, a period when I also ventured into radio, contributing to NPR and hosting a weekly show on a West Palm Beach station. Since April 2000, I've been classical music critic at the Baltimore Sun. Over the years, I've written occasional articles for the New York Times, BBC Music Magazine and other publications, and I'm a longtime, regular contributor to Opera News and the U.K. magazine Opera. You may still be able to find on the remainder racks my one and only book, The NPR Curious Listener's Guide to Classical Music (Perigee, 2002).
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