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April 23, 2009

Charles Theatre to hold music/art event to mark opening of 'The Soloist'

The SoloistHollywood so rarely acknowledges classical music and musicians in a serious way that The Soloist, opening Friday, can't help but be a very big deal.

This fact-based story of a homeless, mentally unstable musicians discovered by a Los Angeles Times newspaper columnist, actually includes footage shot at Disney Hall featuring a performance by the Los Angeles Philharmonic with much-acclaimed conductor Esa-Pekka Salonen (who has just finished his remarkable tenure as music director). That sort of class, or classical, is not likely to pop up in another movie anytime soon.

The Soloist, starring Jamie Foxx and Robert Downey, Jr., has been stirring up lots of interest, inspiring orchestras around the country to hold food drives, for example. It's also leading to the creation of some fresh artistic expression. To help kick off the movie's arrival in Baltimore, the Charles Theatre will present a dual event in the lobby at 6 p.m. Friday. The Altra String Quartet, from Catholic University, will make music while the graphic/motion artist Kamil Nawratil, known as 2stimuli, will create something visual on the spot, inspired by the performance. The lobby event is free.

(Above: Paramount Pictures of Jamie Foxx and Robert Downey, Jr.)

Posted by Tim Smith at 3:45 PM | | Comments (1)
        

Comments

I just found out that, on top of everything else, Jamie Foxx has also won a couple of Grammys for his R&B album... that guy must be busy

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About Tim Smith
I was born in Washington, D.C., and grew up there. Initial thoughts of becoming a cocktail pianist faded when I realized I hated taking requests. I decided to study music history instead, and got a B. A. in that field from Eisenhower College in Seneca Falls, New York, and an M.A. from Occidental College in Los Angeles. After free-lance gigs for the Washington Star and the Washington Post, I worked as classical music critic for the South Florida Sun-Sentinel during the 1980s and '90s, a period when I also ventured into radio, contributing to NPR and hosting a weekly show on a West Palm Beach station. Since April 2000, I've been classical music critic at the Baltimore Sun. Over the years, I've written occasional articles for the New York Times, BBC Music Magazine and other publications, and I'm a longtime, regular contributor to Opera News and the U.K. magazine Opera. You may still be able to find on the remainder racks my one and only book, The NPR Curious Listener's Guide to Classical Music (Perigee, 2002).
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