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April 27, 2009

Baltimore Chamber Orchestra to resume (almost) normal operations in 2009-2010 season

Good news, for a change. The Baltimore Chamber Orchestra, which suspended normal operations earlier this year due to the economic slump, has improved its financial picture sufficiently to return to a regular concert season in October.

Well, almost regular. The budget will be half of what it would be normally. Music director Markand Thakar has volunteered to work without pay. Instead of five orchestral programs, there will be three, plus one recital. But, still, this is an encouraging development for the BCO, which has a long history of quality service to the community behind it, and good news for Baltimore's recession-buffeted classical music scene.

The orchestral programs will include several of classical music's greatest hits. The season will open Oct. 18 with a concert featuring Beethoven's Fifth and music of Mendelssohn; the Handel Choir of Baltimore will participate in this program. The BCO's concertmaster, Madeline Adkins, will be featured in Vivaldi's Four Seasons in February. And the season finale, in May 2010, offers Mozart's Violin Concerto No. 5 with soloist Xiang Gao. The recital on the lineup is by guitarist Ana Vidovic in January; the BCO is applying for grant money to turn that presentation into a concert with orchestra.

Meanwhile, you can still catch the BCO in action this season. On May 6 at Kraushaar Auditorium, the orchestra will record viola concertos by Stamitz and Hoffmeister, featuring Victoria Chiang. The session is being treated like a concert, preceded by a discussion/Q&A with Thakar, Chiang (the conductor's wife) and recording engineer Jamey Lamar. Subscribers to the abbreviated '08-'09 season can use their tickets for this event. 

Posted by Tim Smith at 4:22 PM | | Comments (1)
        

Comments

Yes, it is wonderful that the Baltimore Chamber Orchestra has survived its near-death experience and will present four concerts next season. But you neglected to mention that these performances will take place on Sunday afternoons rather than the Wednesday evenings traditional with the BCO.

Unfortunately Sunday afternoons are already crowded with the concert series of other organizations, many as venerable as the BCO: the Baltimore Choral Arts Society, the Baltimore Symphony Orchestra, Community Concerts at Second, Harmonious Blacksmith, the Monument Piano Trio, Music in the Great Hall, Pro Musica Rara, and the Shriver Hall Concert Series, to name a few.

All too often this season I’ve been forced to pick one among several concerts that had all been scheduled for the same time period. It would be nice if the series organizers could coordinate their schedules so as to minimize the need for music lovers to make those hard choices.

I couldn't agree with you more. I've frequently preached the value of coordinating schedules to avoid the Sunday pileup, to no avail. It's dangerous for all the organizations. Thanks for posting. TIM

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About Tim Smith
I was born in Washington, D.C., and grew up there. Initial thoughts of becoming a cocktail pianist faded when I realized I hated taking requests. I decided to study music history instead, and got a B. A. in that field from Eisenhower College in Seneca Falls, New York, and an M.A. from Occidental College in Los Angeles. After free-lance gigs for the Washington Star and the Washington Post, I worked as classical music critic for the South Florida Sun-Sentinel during the 1980s and '90s, a period when I also ventured into radio, contributing to NPR and hosting a weekly show on a West Palm Beach station. Since April 2000, I've been classical music critic at the Baltimore Sun. Over the years, I've written occasional articles for the New York Times, BBC Music Magazine and other publications, and I'm a longtime, regular contributor to Opera News and the U.K. magazine Opera. You may still be able to find on the remainder racks my one and only book, The NPR Curious Listener's Guide to Classical Music (Perigee, 2002).
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