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March 25, 2009

WBJC personality and former Baltimore Opera chorister Dyana Neal to give concert at An die Musik

Dyana NealDyana Neal's speaking voice is well-known to classical music fans in the region -- she's the midday host at WBJC-FM. Her singing voice will be the focus Thursday night at An die Musik, where Neal will perform a mix of arias, Broadway tunes and classics of the American Songbook.

Like many others, Neal lost a valued performance outlet when the Baltimore Opera Company slipped into bankruptcy -- she had been a chorus member since 2002. For the An die Musik event, "I am planning to dedicate I'll See You Again' to the Baltimore Opera Chorus because I hope very much to work with my BOC colleagues again in the future," Neal says in an e-mail message. "Let's hope better times are ahead for opera in Baltimore."

She will be accompanied by pianist Diane Kinsley during the Thursday recital, and joined for a couple of numbers by her husband, baritone and architect Jim Knost. The program includes arias from Il trovatore and Carmen, along with such standards as "Skylark," "Diamonds are a Girl’s Best Friend," "Losing my Mind," and "Every Time We Say Goodbye" (that song could also be dedicated to the casualties of Baltimore Opera's collapse).

Incidentally, I learned from Neal's bio that she has done some film work, including an appearance in my favorite John Waters film, Pecker. I'll have to dig that DVD out again soon and keep an eye out for her.  

PHOTO COURTESY OF AN DIE MUSIK, WBJC

 

Posted by Tim Smith at 4:35 PM | | Comments (0)
        

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About Tim Smith
I was born in Washington, D.C., and grew up there. Initial thoughts of becoming a cocktail pianist faded when I realized I hated taking requests. I decided to study music history instead, and got a B. A. in that field from Eisenhower College in Seneca Falls, New York, and an M.A. from Occidental College in Los Angeles. After free-lance gigs for the Washington Star and the Washington Post, I worked as classical music critic for the South Florida Sun-Sentinel during the 1980s and '90s, a period when I also ventured into radio, contributing to NPR and hosting a weekly show on a West Palm Beach station. Since April 2000, I've been classical music critic at the Baltimore Sun. Over the years, I've written occasional articles for the New York Times, BBC Music Magazine and other publications, and I'm a longtime, regular contributor to Opera News and the U.K. magazine Opera. You may still be able to find on the remainder racks my one and only book, The NPR Curious Listener's Guide to Classical Music (Perigee, 2002).
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