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March 27, 2009

BSO staffer Stephen Jacobsohn to run Shriver Hall Concert Series

Stephen JacobsohnA quick game of musical chairs will see Stephen Jacobsohn, the Baltimore Symphony Orchestra's much-admired manager of artistic administration, head uptown to the Shriver Hall Concert Series, succeeding David Baldwin as executive director. The series, in its 44th year, is Baltimore's primary importer of recitalists and chamber ensembles, providing a starry lineup on a par with the best presenting organizations in the country.

"We're very excited about Stephen," said Jephta Drachman, president of the Shriver Hall series, said Friday. "He's smart and hard-working, a real gentleman. And he really loves music."

"I'm thrilled for him," BSO president/CEO Paul Meecham said. "It's a great opportunity for him and I know he'll be very successful." Jacobsohn's hiring "reflects well on him and on us, too," Meecham added. "My philosophy is hire good people, but don't expect them to stay forever."

For his part, Jacobsohn said he is "sorry to leave the BSO, but excited to be involved with this incredible organization. There are challenges, of course, but the people there are so dedicated," he said. 

Before joining the BSO four years ago, Jacobsohn worked for a New York-based artists management firm. He's also a cellist (his graduate degree is from the Manhattan School of Music), and, while working in the BSO administration, he did occasional sub work for the orchestra, as well as for other ensembles in the region.

Jacobson starts at Shriver Hall on May 15.

PHOTO COURTESY OF SHRIVER HALL CONCERT SERIES

Posted by Tim Smith at 12:30 PM | | Comments (1)
        

Comments

"My philosophy is hire good people, but don't expect them to stay forever."

That's a strange way to think of your staff. I suppose nothing is forever, and I imagine the BSO doesn't exactly have retention bonuses like AIG, but nonprofits are notorious for undervaluing their staff. The BSO's loss is Shriver's gain.

Thanks for the comment -- and the perspective.TIM

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About Tim Smith
I was born in Washington, D.C., and grew up there. Initial thoughts of becoming a cocktail pianist faded when I realized I hated taking requests. I decided to study music history instead, and got a B. A. in that field from Eisenhower College in Seneca Falls, New York, and an M.A. from Occidental College in Los Angeles. After free-lance gigs for the Washington Star and the Washington Post, I worked as classical music critic for the South Florida Sun-Sentinel during the 1980s and '90s, a period when I also ventured into radio, contributing to NPR and hosting a weekly show on a West Palm Beach station. Since April 2000, I've been classical music critic at the Baltimore Sun. Over the years, I've written occasional articles for the New York Times, BBC Music Magazine and other publications, and I'm a longtime, regular contributor to Opera News and the U.K. magazine Opera. You may still be able to find on the remainder racks my one and only book, The NPR Curious Listener's Guide to Classical Music (Perigee, 2002).
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