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October 14, 2008

De Ryke, Mengelkoch shine in Schubert recital

Ryan de RykeFor some of us, there are few musical pleasures more enriching than lieder recitals. But we don't get that many opportunities to indulge. Since many people would rather face root canals than a bunch of deadly serious songs in German, few presenters are willing to take a chance on programming such events. So Sunday afternoon's performance of Schubert's Winterreise at the graceful mansion on the grounds of Cylburn Arboreteum came as a most welcome entry on the local arts calendar, especially since it featured the ever-engaging baritone Ryan de Ryke and the admirable pianist Eva Mengelkoch. The two seemed to be totally involved in this song cycle's profound journey of body and soul, its glimpse into what it means to be alienated from love and purpose.

De Ryke used his well-controlled, evenly produced voice to telling effect throughout, offering a remarkable range of dynamic coloring that enabled the subtlest deatils of both Wilhelm Muller poetry and Schubert's perfectly matched melodies to be keenly felt. He got so deeply, sometimes chillingly into the character of the melancholy wanderer that the songs took on the vividness of a great play.

The sizable crowd that turned out also was rewarded with the finely judged, supportive playing by Mengelkoch, who clearly understands how much meaning is packed into the piano part. The chamber music series at Cylburn, founded and directed by Mengelkoch, has its next presentation in April.

BALTIMORE SUN FILE PHOTO

Posted by Tim Smith at 1:05 PM | | Comments (0)
        

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About Tim Smith
I was born in Washington, D.C., and grew up there. Initial thoughts of becoming a cocktail pianist faded when I realized I hated taking requests. I decided to study music history instead, and got a B. A. in that field from Eisenhower College in Seneca Falls, New York, and an M.A. from Occidental College in Los Angeles. After free-lance gigs for the Washington Star and the Washington Post, I worked as classical music critic for the South Florida Sun-Sentinel during the 1980s and '90s, a period when I also ventured into radio, contributing to NPR and hosting a weekly show on a West Palm Beach station. Since April 2000, I've been classical music critic at the Baltimore Sun. Over the years, I've written occasional articles for the New York Times, BBC Music Magazine and other publications, and I'm a longtime, regular contributor to Opera News and the U.K. magazine Opera. You may still be able to find on the remainder racks my one and only book, The NPR Curious Listener's Guide to Classical Music (Perigee, 2002).
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