Clef Notes: Peabody introduces audio program notes - The Baltimore Sun’s classical music critic Tim Smith blogs about the sonic art, local and beyond

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September 24, 2008

Peabody introduces audio program notes

Jeffrey Sharkey Curiously missing from most concerts at the Peabody Conservatory has been program notes, even for unusual repertoire. Well, audiences can now take advantage of advance audio introductions via the Web. For tonight's chamber music concert featuring Peabody's director and pianist Jeff Sharkey, violinist Jonathan Carney, violist Maria Lambros and cellist Alison Wells, Sharkey has recorded remarks about each piece on the program, complete with illustrations at the keyboard.

And for Saturday's concert by the Peabody Symphony Orchestra, conductor Teri Murai offers a guide to an award-winning work by Peabody alum Geoff Knorr. Cyber program notes are in use by lots of music organizations; it's good to see Peabody getting into the act.

BALTIMORE SUN FILE PHOTO OF JEFFREY SHARKEY

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About Tim Smith

I was born in Washington, D.C., and grew up there. Initial thoughts of becoming a cocktail pianist faded when I realized I hated taking requests. I decided to study music history instead, and got a B. A. in that field from Eisenhower College in Seneca Falls, New York, and an M.A. from Occidental College in Los Angeles. After free-lance gigs for the Washington Star and the Washington Post, I worked as classical music critic for the South Florida Sun-Sentinel during the 1980s and '90s, a period when I also ventured into radio, contributing to NPR and hosting a weekly show on a West Palm Beach station. Since April 2000, I've been classical music critic at the Baltimore Sun. Over the years, I've written occasional articles for the New York Times, BBC Music Magazine and other publications, and I'm a longtime, regular contributor to Opera News and the U.K. magazine Opera. You may still be able to find on the remainder racks my one and only book, The NPR Curious Listener's Guide to Classical Music (Perigee, 2002).

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