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June 19, 2007

Sometimes I Am Wrong

There are times when I am right about some of these things I pontificate about, and then sometimes I am wrong. Never one to claim perfection, only a strong pursuit of it, mistakes have been made in the past. One concerned a story about changes to kindergarten schedules in Carroll County.

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As the day ended for Kathryn Henn's morning kindergarten class at Manchester Elementary, this young lady looked so serious and dedicated as she gathered her papers to take home, like a much older student. And the way the papers indented her nose just looked cute. [As much as I complain about cuteness, I have nothing against the occasional cute picture.] This is the picture I wanted for lead.

HALFPDFWhen the article appeared in the paper, much later than when I made the photographs, another was used as lead. The shoelace-as-floss boy was another cute picture, though more unusual, was one I liked also. But it never occurred to me it should be lead.

My astute choice was no longer as astute as I thought.

The page looks good, though the 1-column photo of the girl gets mildly lost. The overall seems repetitive with lead, having been made from the same angle. However, I cannot complain too much and think the results are very effective in the end. As I said, it looks good.

That's the way it goes sometimes. Get on a soap box and proclaim the virtuous path of photojournalistic righteousness and then the box collapses and in strategic irony my foot ends up in my mouth. But as I said, I never claimed to be perfect. I just try to be. That may end in flaming ruin, but I'll keep persistently at it.

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June 18, 2007

Afterthoughts After Publication

The photographs in The Sun print and online editions are just a sampling of the work done by the photographer. Many voices are heard and choices made in the preliminary stages of production. Decisions get made on the prominence a story will have on the page, its importance in relation to the other stories, and how much space it will be given. Sometimes the quality or aesthetics of the photographs get lost as space considerations come into play.

HALE PDFA little while back I spent some time with First Mariner Bank Chairman and CEO Edwin F. Hale. The reporter interviewed him while I made photographs, and then I made a few quick portraits. According to the request this was going to be an important story dealing with Hale and his leadership of the bank in the face of some rough seas. He seemed very honest with us, as far as I know, and talked candidly. He did not seem to be to bothered by my work and what I asked him to do when I made the portraits.

The story appeared below the fold (cropped) with one photograph on the front and none with the jump. When I saw this, while getting my standard 44-ounce ice-cold beverage at my local convenience store, I sighed and went "Oh well."

Sometimes that is all that can be done. But it is unfortunate that the time and effort put into the situation, get a little lost. He could have been difficult or uncooperative, but instead he was nice and welcoming and free with his time. It disappoints me more for him than for myself. The reader possibly loses out in the end.

Of course we now have the pictures in "the files" as we say, which really means saved in the computer system and archived on CD, for possible future use. But that has never really held water with me, because that does not mean they will ever be used, and they will not be used in the context with which they were made.

In any case, I was not a part of the discussions that happened concerning this page and the other stories and elements with which it is made. But I'd like to have know, and wish I did not wake up to so many surprises.  

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Picture selection, as I have stated before, is just as important as the making of the photos and editing of the stories. With picture selection nuance and subtleness can be brought to prominence. It should be left to the reader whether or not they "get" a photograph. If 1 of 10 people get an allegorical element or a visual metaphor, than so be it. It is the richness an added level of intellectual content can bring to an image that should be celebrated and held for example. No one gains from meaningless glimpses into the obvious that arouse little thought other than "Oh, that's nice."

It can also be said that the photographs and the story do not necessarily have to say the same thing in exactly the same way. They need to be in tandem thematically, not lock step, and each must be allowed to breath and express itself in its own.

Not long ago it was my pleasure to photograph author Stephen Dixon after he retired from Johns Hopkins University after a nice and storied career. He and wife Anne welcomed me into their home and we had a very nice time. I enjoyed our discussion of typewriters and their repair (I have an IBM Selectric III) and his dislike for computers. I did not make a lot of photographs, but felt I nailed it with a certain one of him putting paper into the typewriter he currently uses.

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DIXON03I like the way the paper and his head seem as one, and the white-framed entryway to the next room mimics the paper. The pears in the foreground and the stacks of paper added nice details. Overall, it is a picture with visual interest, and a little mystery, that will capture the reader's eye and keep it to slowly explore and peruse a little longer.

A second photograph will show Dixon's face and provide the satisfactory content demanded.

So once again I feel I have made a photograph that steps to the next level and makes a statement and will have impact on the page. The passive image does little good for anyone, reader, subject or maker.

The decisions about which picture gets published can be anticlimactic. Sometimes heated. Many times, in my experience, a mystery. I want to be part of the decision making process, not just a button pusher providing images like a service. And in the process of my job as a photojournalist I try to make challenging, aesthetically charged images that have impact and meaning. But in the process of selection the challenging images often get lost in the noise.

People, consciously or not, often gravitate to the common and known and away from the unusual or challenging. It takes mental effort to not fall quickly for what I call "The Hallmark Effect." That is what happens when, faced with choosing between images, people often reach for the one that can be related to on a comfortable level because it contains archetypes welded to our psyches. Think of distinct footprints in the wet sand, fuzzy kittens with balls of string, soft clouds with streams of glorious sunlight, the sun silhouetting a puffy dandelion. Thus as some try to push the "usual" aside, others are reaching hungrily for it.

DIXONPDFI was not surprised to see the page, with great design treatment, with an alternate photo I included almost knowing forthrightly the preferred one would get lost in the haze of Hallmark.

It is not that the page looks bad. It doesn't. It looks very, very good and I think there are some nice touches. The reversed "L" in the box, the headline filling the space and touching photo and story, highlighted words in the subhead. A 6-column picture never hurts.

But like the little flourishes in the design, I tried to add elements that take the photograph beyond the obvious, beyond a plain page with words, headlines, photos and graphics. In my mind there is no difference between wordsmithing, designing and photographing in that stressful effort to be different.

It would be great to bring a chair to the discussion table, carve my experience and thoughts on these very issues into its well worn wood.

The page looks good. Really good. There might have been a chance for greatness (so I believe, right or wrong.)  

 

 

June 10, 2007

It is Finished

My feet are killing me. It has been a really long tournament, having covered it by myself in the heat and walking (trudging) the course over-and-over-and-over again. It became easier as time went on learning the course, finding the short cuts and strategizing the holes to get the best angles and cleanest backgrounds. Much discussion between the photographers early on was which holes made for good backgrounds.

Now I am done. All that is left is to go back to the office and file all the images that I have stored on a hard drive. Over the five days I probably averaged 300-400 images a day. Most of them were snoozers. Plain, boring coverage of boring shots and putts in case something happened. But not much did. And the emotions of the players were subdued, or subtle, at best.

For example: Na On Min of South Korea had an amazing Saturday shooting 7-under par and taking the lead. But she could not overcome the charge by Suzann Pettersen, the eventual tournament winner. After putting on the 18th green the youngster acknowledged the crowd. In her face you can see the disappointment.

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(Nikon D2Xs, 200-400 mm lens @ 400, 1/1600 sec. @ f/4, ISO 400)

The tone is subtle, but it is evident. I like that in an image, though it would be a lot better, an easier read, if she just lost it. But that is out of my control. And I'd have felt, really, really bad if she did.

Pettersen on the other hand was a little more emotional, but the only time it really came out on the course as I followed her from the green on 15 to the end, other than a few fist pumps that did not look really great, was when she missed a birdie opportunity on 16.

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(Nikon D2Xs, 200-400 mm lens @ 400, 1/1000 sec. @ f/4, ISO 400)

A clean background, soft, partially haloed light really helps to make this nice. If she had ended up losing the tournament this might have been a lead photo.

Well, it is 11:40 in the p.m. and I am tired of thinking. Time to flip the channels, I am a champion channel changer, and slow down my mind so I can get up early Monday and do all the chores and errands I have ignored because of the 10-hour days at Bulle Rock. You might see me mowing the lawn in Towson if it doesn't rain.    

Sunday, Sunday.

This has been a long tournament. It seems like a dream that only Wednesday I came out here and started working the LPGA Championship at Havre de Grace. Now we are in the home stretch, and hopefully it goes smoothly, with no rain, and all ends well.

My favorite photo from yesterday came on the 16th fairway. Leader of the second round Suzann Pettersen seemed to be having a rough go of it. She hit her tee shot into the rough, and then hit out of it and into the rough next to the green. After making, or missing depending on how you interpret it, she stood for several seconds with hand to face. In some of the frames it looks as though she may be wiping away a tear. I cannot say for sure, but it did look that way.

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(Nikon D2Xs, 200-400 mm lens @ 350 mm, 1/500th sec. @ f/4, ISO 320)

She held on though and finished the day in second after a 1-under-par 71 and is 9 under for the tournament. Not bad, but not enough to catch the blistering 7-under round of rookie Na On Min. The South Korean is playing in her first major and only sixth tournament. Now she sits atop the leader board on the final Sunday.

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(Nikon D2Xs, 200-400 mm lens @ 240 mm, 1/1600th sec. @ f/4.5, ISO 200)

I nearly missed her as she came by the 14th green where I had camped to catch people coming by and then pickup the leaders. I made a boring photo of her on the green, and then moved to the 15th tee only 20 yards away to make this photo with the super clean, except the white hat, background of trees in shadow.

Of Photo Interest

They may be competition in many ways, but it would be a sin not to mention The Photography Issue of The New York Times Travel section Sunday. It is pretty cool looking in print with a Modular cover of 10 photographs and no headline. Very well designed and nothing detracts from the singularity of each image that combine into one cohesive element without losing their individuality. Check it out.

June 8, 2007

LPGA in Havre de Grace: Two Down

Two rounds of the LPGA Championship finished at Bulle Rock. And this blistering second was one for the ages. Hot, Hot, Hot. And then hot.

The paper has run a few photos, but not as many as I’d like. Friday’s edition had three, two of which were Michelle Wie. It is always nice to get a five-column photo on the front of sports, but I wish it had been one of the others. But the lead story was about her, and so it goes.

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After my third jaunt around the course and returning to the Media Tent I decided to document the moment.

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(Nikon D2Xs, 200-400 mm lens @ 400mm, 1/1500 sec. @ f/4.0, IS0 200) 

Paula Creamer reacting to a missed birdie opportunity is one of my favorites from the tournament so far. She might have been able to get to within one stroke of the lead if she had made this putt, and her reaction shows she knows it. It was one of the very, very few true moments of real emotion that showed itself on the course.

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(Nikon D2X, 200-400 mm lens @ 200 mm, 1/2000 sec. @ f/4.5, ISO 200)

In an attempt to show a different view of a putt, and that the crowd was thin Friday, I focused on the crowd behind Karrie Webb as she putted on the 18th green Thursday. The pictures can start looking alike and that can be dull, so whether or not anyone is going to see them I try to make photographs I think are interesting.

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(Nikon D2Xs, 17-45 mm lens @ 17 mm, 1/1500 sec. @ f/4.5, ISO 200)

At the end of her round, Se Ri Pak was eligible for the LPGA Hall of Fame and inducted. As I walked back to the Media Tent pass the putting and chipping green the workers were preparing to hang her plaque. I thought it was an interesting way to show her induction. What I did not notice until later was the misspelling of her name. When I walked by the mounted plaque Friday morning the spelling had been corrected.

These are a few of my favorites so far, excepting the sweaty self portrait, that have a little twist. If you have any thoughts, please let me know. And did I mention it was hot?  

June 6, 2007

LPGA in Havre de Grace: Working Space

I have set up a spot in the Media Tent at Bulle Rock for the LPGA Championship. Today I did a few preliminary things, and in a few minutes I have to photograph a First Tee program with some children and LPGA instructors for the Harford County edition.

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This is my spot in the Media Tent, with requisite Diet Coke. I have a 15" PowerBook G4 with Photo Mechanic displayed. I use Photoshop CS2. The big screen will have stats and TV coverage during the actual tournament. Today it was tuned to ESPNHD with a replay of the National Spelling Bee.

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My main equipment will consist of my Nikon D2Xs and D2X bodies and the 80-200 mm f/2.8 lens. I will primarily use a pool Nikon 200-400 mm f/2.8 zoom. This lens rocks for golf. It is relatively light and super sharp. It also focuses well. (Note the orange sun block SPF 30 lotion and lens cleaning kit.) 

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This is a handout lanyard and one of the business cards I used to mark my spot. Never go anywhere without some gaffer's tape, which I had wound around my monopod for just such an occasion. 

More tomorrow after the first part of the day. Hope for good weather. 

June 4, 2007

Graduation Season

It has been an unusually slow graduation season for me, having photographed only one so far this year. The number is higher most years, and when I worked at smaller papers a half dozen would be the busy norm. Whether or not I make it to another is yet to be seen, but I'd be surprised.

While at the Villa Julie College commencement in May, at which I was photographing the guest speaker for a story, I was scoping the place for any other picture possibilities. I spied this young woman snapping away from the front row.

(Nikon D2X, Nikkor 80-200 mm lens, ISO 1250, 1/120 sec, f/2.8) 

One thing I have had my mind on for some time is people taking photographs. For some reason that escapes me, this all-too-common act has captured my imagination. Probably filled with unrealistic delusions of grandeur, I believe I can churn out a photo essay of people taking photographs (after a long period of time.)

As I am about town, on assignment or not, I have been making these photographs occasionally. It started some time ago when I was covering something and I saw a woman with extremely long, painted fingernails snapping away. Something clicked and I have been at it since.  

May 29, 2007

Return to Towson

Well, the vacation is over. At least the part that included the trip to the Outer Banks in North Carolina. (For those who want to know, it went very well, though not as warm at we'd have liked.) But the "west and wewaxation" continues as I am off this week also. Nothing like starting a Blog the week before two weeks of not stepping foot in the office. Just the same, I plan on posting once each day this week, answering emails and adding to the comments as they arrive.

The plan remains to review the new book Where Valor Rests as I mentioned before. Sorry I am behind on that one (blame the wife's foot last week that came down real hard.)

While on vacation I do not really feel like lugging my camera around too much, and rely on my wife with the little point & shoot. But the following offer some examples of the few vacation photos I made with comments highlighting some of the reasons why I like the particular image or the reasoning. 

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Feeling at home as an accident causes a delay on the Oregon Inlet Bridge. Might as well use the time constructively. A railing next to the fence provided the lift for the view, allowing the fence to become a part of the composition and not block it.

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My wife, Carol, in front of the Wright Brothers National Memorial in Kill Devil Hills. The wide-angle view, the close proximity to my wife allows the hills upon which the monument is placed to be made more pronounced and making the image more 3-dimensional.

 


 

VACATION03A downward view inside the stunning Cape Hatteras Lighthouse. It was a little dark, so the shutter speed was slow and thus the image blurred. I like the motion, it gives the picture a little energy and amplifies the disorientation caused by the spiral staircase and the checker-board floors.

 

 

 

 

 

 

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After leaving the lighthouse, just off the steps in front, I decided see the view looking straight up. The sun just adds another element of interest that helps to draw attention to the height of the main subject.

 

 

 

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A final view of the lighthouse framed by the porch if the lightkeepers' house. My horizon is a bit off, a bad habit I sometimes cannot correct even as I concentrate on it.

 

 

 

 

 

 All photographs were made with the Nikon D2Xs and 17-55mm f/2.8.

May 28, 2007

Preakness Peek, Part 2

Preak13With my time in the infield at an end, I returned to the storage closet – Whoops, allow me to rephrase -- storage room at Pimlico where we worked during the Preakness. There Robert Hamilton, the Assistant Managing Editor for New Photography at The Sun (more commonly referred to as Bob,) edited the take. On two disks I had over 250 images. That was whittled down to about a dozen and, with the help of Jeff Bill, transmitted nine back to The Sun. Some were immediately posted on the Website and later on in the cycle in a Preakness gallery.

After that I had time to kill and few ways to kill it. It was not until 5 p.m. I had to be somewhere. That was the prescribed time to assume battle stations and wait for the race to start at 6:17. Lunch soon came to mind. The Sun has a corporate tent in the village that inhabits the other side of the field inside the track located next to the more imfamous infield where I spent most of the day to this point.

Filled with fine food, drinks and gifts, the VIP tent area is a place for the higher-tiered people to entertain. The Sun tent is for the senior executives and advertising sales people to entertain advertisers and vendors. We are allowed to get lunch there as long as we sit outside the tent. None of us consider this a big deal and are grateful for the hospitality proffered us. So I did, loading down my plate with salad, grilled vegetables, roast sirloin, crab cakes, and a piece of chicken. Yum. Very Yum.

Back under the old grandstands, I run into Associated Press freelance photographer Gail Burton and we make our way to the betting windows. I manage to muck my way through and successfully place a trifecta box bet. (Not surprisingly, said bet did not pay off.) Later I chat with Jim Dietz, also with the AP as a picture editor, with whom I went to Kansas State. He graduated at the end of my freshman year and has had an illustrious career with the AP since the early ‘90s.

After a fruitless search for a Diet Coke without dealing with long lines, and heading toward withdrawal, an idea hits me. I should get the beer spray cleaned from my gear by the folks from Nikon. It is 4 o’clock and I have plenty of time. The Nikon guy, not knowing his name I do not know what else to call him, is almost done for the day when I walk in. And to his amazement, the cameras are covered but nothing seems at all serious. As he painstakingly cleans the bodies and lenses, with wipes and cleaner, I once again resume killing time.

Thinking it would not take long, probably 15 minutes, I hang out, looking at the gear for sale by a retailer and making fun of the people who pop in trying to buy donuts (two boxes from a large chain are sitting on the table from earlier) or ask really odd questions. Of course I cannot remember any of them at this moment, but a lot of people did take a peek inside the room barely larger then our closet, I mean room, upstairs. But it is larger and better lit.

As time slowly clicks by, it occurs to me more is clicking by than I thought necessary. It takes 40 minutes to clean the gear. So I need to rush back, get geared up and head for the area near the starting line inside between the two tracks.

There I wait for the race, during which I am to use a Nikon Nikkor 400mm f/2.8 to photograph the owners’ boxes and hopefully make some good reaction photos during and immediately after the race. This position was chosen to facilitate my easy movement into the Winner’s Circle located inside the turf track.

Prea14While waiting for the start, I hang with staff photographer Gene Sweeney Jr. and Julie Furguson, an imaging technician assisting Gene with the remote cameras at the finish line. Races continue to be run, galloping by as a few photographers photograph the happenings and others concentrate on aligning cameras and changing exposures for the changing conditions.

The rain had stayed away to this point, though the clouds were edging into the sky to a level of dominance. But the forecast, confirmed by many of us not long before, said the showers should stay away until well after the race. Should have known it was a slim chance, like my winning a bet, and soon we had cold showers to deal with.

Preak14aMy cameras get stashed in plastic bags, and not easily accessible, but I have nothing similar with which to cover myself. Like the brainiac I often mistake myself for, I left the weather gear in the truck. About the only thing I can do is stash the sunglasses under my black vest.

After a few showers and changing light conditions, time comes for things to start happening for the race. I get the cameras out of the bags and into the slight rain. The jockeys have mounted the horses on the turf track and the owners take their last close looks. Soon all will be in place with horses and jockeys at the starting gate. I am moseying around, not really sure if during the race I will be able to stand where I want to, on the turf track a little of the left of the start line about 20 yards back from it. The remote photographers are kept away from the start line, but they are tight on the outside rail of the turf track that parallels the inside rail of the dirt track. So I wait, trying not to draw attention: a dorky, large guy sans raingear with a hideously large lens on a monopod.

Standing next to a pack of Baltimore police sounds like a good idea. No one bothers me before or after I do so.

Preak15The race starts and the horses gallop into the first turn. My eyes are trained on the boxes, and I cannot tell who is who, besides the usuals from state government. My camera will stay focused on the box for the entire race, so I know not who is winning and in what position. Therefore I continue to scan the box, looking for reaction. As the end nears, I see some people getting excited, starting to yell and gesture enthusiastically. I start pushing the shutter. Soon, possibly only seconds, it is over. I scan the box once more, looking for dejection and do not see it in any considerable amount.

The second part of my photographing for the day is finished. Now I am trying to find out who won and asking around like an idiot. It is obvious I was probably only one of a few who did not know the race had a photo finish. Making my way to the circle, after stashing my 400mm lens in the bags near the starting line for Julie to watch, it becomes apparent Curlin won.

During the quick walk the preparations get underway for the ceremony in the Winner’s Circle. Nearby I hear someone frantically state “They have a lot of owners.” An expletive is used before owners for unnecessary emphasis. This is not good news.

Preak17A lot of owners means a lot of people in the Winner’s Circle, outside the usual scrum of photographers, security, Preakness folk, the network television personalities and camera crews. What a mess. And identifying anyone will be hard at best.

As the local paper, The Sun is privileged to get two key-like black vests for people to photograph at and inside the circle. The fellow photographer, Monica Lopossay, gets assigned to the crowded risers just outside the perimeter as I spend time in the tighter confines inside the circle’s circumference.

Winning horse and jockey get brought in the circle for the jockey to dismount. We are kept outside. Not until the horse is clear can we enter, with all the other owners not allowed on the platform, and the aforementioned masses, to stand below the railing where the proceedings will take place.

Preak18Without much detail they are like this: Wait, wait, wait. Nothing happens as everyone waits for television to come back from commercial; groans as two camera crews take up positions and block some of the view; the ceremony starts and not much happens; the Woodlawn Trophy replica (of which a piece snapped off during the commercial) is presented to someone no one of unknown identity; trophy gets passed around the other owners and it all looks really fake; jockey still has yet to be brought to the front and photographers start yelling for him; jockey comes forward and kisses trophy and it looks really fake; trainer does same with same result.


Preak16Preak23The gathering begins to clear and a few people (not the principal owners) straggle afterward and get photographed with the trophy. That is the last picture I make in the circle. They head to the press conference and I head back to the closet.

One picture from the owners’ boxes gets moved and five from the winners circle. None of it is great but none is awful. The best probably is the one from the owners’ box angle. It is about 9:30 p.m. when all is said and done and we return to the paper.

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Not until the next day on the way to my vacation will I learn, as I stop for gas off Interstate 95 near Columbia, only one picture from the entire day was used in the paper.

“Got Beer” made the cut.

May 22, 2007

Preakness Peek, Part 1

Saturday started like many other days when I have to begin work at the office: Shower and shave. Eat a quick breakfast. Walk the dogs. Leave the house in Towson. Stop at Royal Farms for a 44 oz. Diet Coke. Drive downtown to The Sun building on Calvert Street.

Soon after the day will diverge greatly from the normal or routine. It is Preakness time again.

Preak01 A majority of the staff covering the Preakness on Saturday arrived at the office around 9:30 a.m. At around 10 we all left, carpooling with two or three people per vehicle. Traffic was still light at this point and we found the assigned parking lots with little trouble. Staff photographer Lloyd Fox (left in photo) and myself rode to Pimlico with John Makely, the recently named multimedia video editor.

We had not seen much of Makely during the last few weeks. The veteran staff photographer recently became a father after his wife, Sun reporter Stacey Hirsch, gave birth to a baby girl. No one gets off Preakness Saturday for any reason, not even for a newborn in the family. After the one-day return to the fold John will head home for more time with the wife and kid before his official return to the workforce.

We rendezvous in a stunning dust-bag room barely larger than a closet under the old grandstand. In prior years, when not forgotten, it had been used for storage. Located next door was the large, triangular room where many of the other photographers had setup shop. Next to it was a Ladies room entrance that seemed out of place at the end of the long wooden corridor next to two rooms filled with loud and heavily geared photographers and editors. With our door opening directly into the thoroughfare under the stands, many a person stopped by and peeked in, often asking for such places as the Mens room or the “Triple Crown Room.” Four times I have covered Preakness and not once heard of that place. If it exists, please, someone let me know.

Robert Hamilton, assistant managing editor for News Photography, was in charge. He spent almost all of his day in the closet too close to the chicken wire and the passersby. He was kept company most of the time by Jeff Bill, deputy director of photography.

After getting my gear together and putting everything in place I realized what I left in my car: Eyeglasses. Doh! Not a total loss. I was wearing my new prescription sunglass, purchased for the aforementioned vacation. The main reason I forgot the eyeglasses my normal routine being thrown out of whack by the sunglasses. Because the forecast expected the rain to stay away until well after the race I left my raingear in Makely’s car. That decision would come to haunt me later in the day, just prior to the race, which I will note in Preakness Peek, Part 2.

Preak02Preak03So, sans regular eyeglasses, I head to work. This was my second time delving into the infamous infield where some 90,000 people were expected to be “partying,” and doing many another things, while supposedly having a good time. So into the darkness of the tunnel under the track I went…

I carry two bodies, the D2X with the 14mm f/2.8 and the 80-200 mm f/2.8 on the D2Xs. In my fanny pack there is the 17-55mm f/2.8, 1.4x teleconverter, SB-800 flash, spare cards, lens cleaning tissue pens and envelopes for captions.

Things were pretty slow from 11 a.m. onward as I roamed looking to photograph people having fun; or doing something stupid; or something unusual; or just silly. Having covered Preakness many times and looking back on coverage I have knowledge of what had been photographed and done in the past. Many excellent pictures have come out of the infield and I wanted very much to add a great one to the collection. So my eyes were intent on finding situations that might yield such an opportunity. In doing so I also had to makePreak04Preak05 sure I had photos that would serve the needs of the days coverage and provide content for the Web.

So I walked. And walked. Then I walked a little more. Weaving in and out of people, across marked and unmarked territory, stepping over yellow warning tape and kiddy pools full of ice and cans of beer I marched my way throughout much of the infield.

Along the journey I photographed a woman sunning herself with the crowd surrounding her and a friend; another woman drinking boxed wine, sans box, from the spigot; another woman shotgunning a beer. Wow, so much visual excitement I can barely contain myself. Walking in front of and around the stage, upon which scantily clad male and female contestants flaunted themselves, it was relatively calm. Little did I know this was the proverbial silence that precedes the storm.

A swing by the portable toilets, for a look at the lines and the men incapable of waiting to relieve themselves and doing so on outside of them, did not yield much I could share in a family newspaper. Unfortunately, I did not see anyone running atop the 40-some length of them at that time, so I continued my trek.

Preak06As time dragged on, moving closer to 12:30, I continued photographing a few things. A young man wearing a “beer patrol” helmet was very nice, sitting with his girlfriend, but I had a hard time figuring out why keep the facemask. Then I photograph more women drinking, both of whom were very nice, and a few men slamming down beers from funnels. More of the same was happening, drinking and the like, but not much else. Well, there were a lot of people standing on coolers or talking on cell phones, but they do not usually make for memorable photographic images.

However, by now the warmth of the morning glow was ceding way to the allure of the alcohol. More and more people were asking to get their pictures taken, posing as if I were a party-pic guy, and it was getting harder to shake them off.

Preak08A belligerent, shirtless young man started screaming at me “Take a photo of me and my beautiful body! Don’t you want to see a great body?!?!” All I could do was laugh and walk off and continue my search.

Passing the portable toilets again, the long lines continued with no one running atop them. More people demanding I take their picture, more beer and a lot more empty beer cans.

Preak07One nice guy caught my attention when he asked to take a picture with me on my own camera. Moved by his originality I obliged. I have no clue of his name, but his friend who took the picture held down the shutter and made eight or so images, hammering the motor drive before I stepped back to take control.

Preak09Moving into the infield where I originally started the amount of people felt to have doubled. There were many more drunks to deal with along the way, too. In one of the few places where people could actually see a horse race, part of the reason for this bacchanal devoted to excess, I tried to make a photograph with crowd and horses about as close as they’d be all day. But I blew it. My aim of the camera was incorrect as I tried a Hail Mary (holding the camera above the head, guessing the composition) over the fence with the crowd next to it and the horses racing by on the turf. Blew that one big time.

The time neared 1 p.m. Only 45 minutes left until deadline. The pressure is starting to build and I can feel it in the base of my skull like a dull thud will pound continuously. The photographs made to this point are pedestrian at best, mediocre at worst. Not much to be proud of and time has started to run short.

One thing had changed from my first pass through: The women were starting to show some of their assets, often after much cheering persuasion from the men and women around them. The alcohol was also starting to fly – literally.

Preak10One woman bared herself three times, that I counted, from atop the shoulders of a willing helper, basking in the fleeting glory of the crowd each time. Many within the crowd captured the moment for eternity on cell-phone and regular cameras. By her third showing I was pretty close to the action and able to take what I think was my best picture of the day.

But each time she, or one of the other women around, lifted the hood hurled beer cans landed nearby, their journey started from outside the immediate vicinity. The number and scale of cans tossed increased with each show.

Preak11When another woman reached the heights but did not partake in the public exhibitionism, the tossed cans had become a barrage. An incoming caught me in the left hand as I gripped a camera pressed to my face. Backing up, beer having spewed all around and over me, I tripped and fell down. Another hit my left shin as a couple guys helped me gain my feet. Both were open and partially empty and so did not do much damage. But it did scare me.

Now many of the people were taking cover, cowering under chairs, backpacks and lids to storage containers. Others were countering the assault, firing off opened and empty cans. Foam was spewing everywhere as water bottles and other items were thrown in for flavor. Now the situation had deteriorated greatly. Getting out was becoming a viable option. But I was also thinking to myself what idiots these people were. But I decided to stay and photograph those withstanding the mostly aluminum and suds barrage.

Of course while trying to take cover some of the crowd tried to mug for the camera. Nothing better than hiding under a plastic cooler looking like an idiot as opened beer cans fall all around like large hail with flowing tails.

Preak12Later as I turned around and crouched to get a low angle of the situation, a drunk poured most of a beer on my back. Just great. Now I’m soaked, and most likely I’ll be ripe right around race time.

Finally a little sanity prevailed and the volley subsided. A security presence was established and at least one person hauled away. But in all my years, in college and after, in protests and hurricanes, I have never been involved with something so stupid and dangerous.

Now, after realizing I needed to get back and make deadline, I take one more pass by the portables. There I finally see heretofore unimaginable. A grown man running atop the plastic-shelled toilets, slipping and sliding and falling, with those below chucking, at nearly point-black range, salvo after salvo of beer cans at the hapless chap as he made his mad dash.

Preak12a

Pure insanity.

The second installment, covering the race and the rest of the day, will be posted Monday.

“And now” to quote the great Elmer Fudd, “for some west and wewaxation…”

 

Continue reading "Preakness Peek, Part 1" »

May 17, 2007

Follow the Action

A lot of things can spoil a good sports photograph. Some of the reasons: Not being able to see the faces of those in the play. It is out of focus. Missing the peak action moment. Not being tight enough, either because the lens is not the right focal length or being too far away. Then there's the demon that gets me most often, being too tight.

Last, but the most common, is the block. This is exemplified in this series of three photographs during the  IAAM softball championship between Seton Keough and John Carroll Saturday afternoon at Harford Community College.

Timing? Check... Focus? Check... Ball? Check... Umpire? Doh! Many is the time when I am zeroed in and on target, all the elements are coming together, when BAM! something gets in the way. Fortunately it was not an all important play, a routine fly to shortstop, to the eventual outcome and I was able to get other action. Though with a low 2-0 score there were not a lot of opportunities and it is awful to lose one to something outside of my control. But say at a Ravens game on a really big plat this type of situation can really be deflating. I take it very hard when I miss a play or a good photograph, but do not let it ruin my day.

Well, most of the time I don't.

For the Camera Curious, here's the tale of the tape: Nikon D2Xs with a Nikon Nikkor 300mm f/2.8, shutter
1/1000 at f/3.2.

Hopefully something like this will not happen Saturday during the Preakness. Remember to check in Monday when I will have a post about the day at the races.

And for the record, Seton Keough won the game. 

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